Description
Last year, CINDERELLA suffered the tragedy of losing Jeff Lover and Gary Corbett on the same day. A superb live album has been unearthed to heal the grief. This work is recorded from the “Daily City performance on December 12, 1986”. It is a superb audience recording. Speaking of 1986, it was the year that CINDERELLA made their shocking debut. It was not just a topic of conversation, but they swept the world with their fierce tours. First of all, let’s look back on the schedule at that time and check the show’s position. 1986 May 30 + June 5: North America #1 (2 shows) {“NIGHT SONGS” released June 9} July 19-October 11: North America #2 (47 shows) October 23-December 31: North America #3a (37 shows) ←★Here★ 1987 January 2-April 16: North America #3b (69 shows) May 1-July 28: North America #4 (56 shows) August 5-15: First visit to Japan (8 shows) August 22-30: Europe (6 shows) This is CINDERELLA in 1986/1987. The tour for “NIGHT SONGS” also brought them to Europe and their legendary first visit to Japan, but that was in 1987. During 1986, he thoroughly conquered his home country of America, and this work’s Daily City performance was the 34th concert of “North America #3a”, which was in the middle of that. This work, which vacuum-packed such a scene, is a superb audience recording. At the beginning of the performance, there is a microphone contact, which makes you feel a little cold, but when the performance starts, you can feel relieved by the performance sound that flows out. If the core is very thick and the details are clear, the sense of separation is enormous. There is no mistake with a sound board from the sound of the faint hall sound, but the strength, vividness, and zero distance feeling make you want to make a mistake with all your might. In particular, Tom Keifer’s singing voice is so close that you can feel the bubbles and breathing of the husky voice quality. Such a direct sound is drawn in a full stage that is worthy of being called “live performance version NIGHT SONGS”. In fact, this day was still shortly after their debut, and they were opening for David Lee Roth (the legendary “EAT ‘EM AND SMILE Tour”!). Therefore, it was a short set of about 45 minutes, but they filled that short time with 8 songs out of the 10 songs on their debut album, except for “Hell on Wheels” and “Back Home Again”. Of course, “NIGHT SONGS” is a masterpiece that represents the era, so there is no sense of shortage. The masterpieces that explode with stage tension shine dazzlingly, and the era of “Nothin’ for Nothin'” and “In From The Outside” is also great because it is the 1980s. The freaky blues jam “San Francisco Blues Jam” is also sandwiched in between, showing the difference in class from ordinary LA metal. Although it does not reach the impact of their first visit to Japan, which was a full set, the show is hot because it is short and runs at full speed from beginning to end. This is a newly excavated live album that allows you to fully experience that youthful live performance with the best sound. Although I haven’t met Gary yet, this is a record that is full of the energy of the four of them, including Jeff. This is a superb audience recording of the “Daily City performance on December 12, 1986”, which was released shortly after their debut. If the core is extremely thick and the details are clear, the sense of separation is enormous. There is no mistake with the sound board because of the slight hall sound, but the strength, vividness, and zero distance feeling are a great recording that makes you want to make a mistake with all your might. Although it is a short set only for David Lee Roth’s opening act, the stage where eight songs other than “Hell on Wheels” and “Back Home Again” are performed out of the total 10 songs of the debut work is the “live version of NIGHT SONGS” itself. This is a newly excavated live album that allows you to fully experience a youthful live performance with the best sound. Cow Palace, Daly City, CA, USA 12th December 1986 PERFECT SOUND (43:30) 1. Intro 2. Once Around The Ride 3. Nothin’ for Nothin’ 4. In From The Outside 5. Somebody Save Me 6. Guitar Solo 7. Night Songs 8. Push, Push 9. San Francisco Blues Jam 10. Nobody’s Fool 11. Shake Me Tom Keifer – Guitar , Vocals Eric Brittingham – Bass, Vocals Jeff Labar – Guitar, Vocals Fred Coury – Drums
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