Charles Mingus/Germany 1975

Not only among Mingus fans, but also among jazz fans, this is real jazz! This is a recording member of the masterpiece “Changes I & ?” and is sure to bring tears to your eyes as you can listen to most of the songs from their two albums performed live! ! ! Charles Mingus, the giant who loudly announced his complete comeback during a live performance at Carnegie Hall, said, “This is the best album I’ve ever made,” and will continue Mingus’ wishes after his death. , the amazing newcomer Don who was attracting a lot of attention at the time. The combo, which included Pullen and George Adams, recorded two albums simultaneously at New York’s Atlantic Recording Studio on December 27, 28, and 30, 1974, and released the masterpiece “Changes Vol. 1 and Vol. 2″ in 1975. collection”. The stage at “Heidelberger Jazztige” in Heidelberg, Germany on June 28, 1975, where most of the songs recorded on these two albums were set, performed by the same members as those who recorded this masterpiece. A must-listen edition is now available, containing 80 minutes of high-quality sound that has been carefully mastered by the label! ! ! The strongest line-up in Mingus’ later years, reminiscent of Mingus’s heyday, includes Jack Walrath on trumpet, George Adams on tenor saxophone/vocals, Don Pullen on piano, and Dana, Mingus’ returning right-hand man on drums. This performance, in which the quintet consisting of the best members, nee Richmond, gives an overwhelming performance throughout the performance, starts with “Devil Blues”, a song composed by Adams and Mingus, borrowing lyrics from Clarence Gatemouth Brown. At the opening, Mingus’s deep bass roars, Adams shouts in a dull voice, Pullen’s passionate 10-minute solo is a masterpiece, and all the members swing lightly from Pullen’s stylish piano to the hard bapish song. “Soo’s Changes” begins without accompaniment, and Adams’s intense tenor as he battles with Danny is in the future, and “Free Call Block”, which is also a hard bop, features the brilliant performance of Jack, a hidden master. The trumpet is thoroughly featured, and then Mingus and Danny’s surging solos reverberate heavily. Mingus’s charm as a composer moves the heart, and the beautiful melody creates a melancholy mood. From “Lee Carney” to Pullen’s unique numbers, “Black Butts” and “Title”, you can thoroughly enjoy the essence of real, authentic jazz that sets it apart from the fusion that was popular at the time. I’ll give it to you. Live at 5.Heidelberger Jazztage,Stadthalle,Heidelberg,Germany June 28.1975 AUD 2019 Original Remaster 79min 1. Devil Blues 2. Sue’s Changes 3. Free Cell Block F. Tis Nazi USA 4. For Harry Carney – Fade Out 5. Black Mats and Poles 6. Titel – Fade Out Charles Mingus – Bass Jack Walrath – Trumpet George Adams – Tenour Sax,Vocal Don Pullen – Piano Dannie Richmond – Drums