Black Sabbath, Rob Halford/California, USA 1992

Introducing the Oomoto master of the “1992 Costa Mesa performance” where “Steel God” Rob Halford and BLACK SABBATH co-starred!! Disc 1 contains “November 14th” on the first day together, “November 14th” on the second day together. 15th” is on disc 2, and the reunion stage with Ozzy at the end of “November 15th” is completely recorded on disc 3. This is a 3CD. We can deliver all of the dream luxurious co-starring and historic reunion with the best, best and longest new excavated master!!! A dream luxurious feast realized at “Ozzy Osbourne’s retirement performance”. Since it was a major event in the HR/HM world, various titles were created, either at the time of the live performance or over the years. Just a quick thought of “OZZY OSBOURNE FINAL CONCERT,” “OZZY MEETS THE PRIEST,” “THE LEGEND IN HELL,” “HEAVEN AND GOD,” “LIVE & GOD,” etc……I don’t think I have at least one of them on hand. Is it? Most of these previous releases were video drop masters, and most of them were sound sources with poor connections and it was unclear how much dubbing and equalization had been done. Although the high-quality masters of the young generation became a hot topic, I still couldn’t say that there was nothing better than this. However! This time, “DAT Master Clone” was recorded separately from the video release. The enthusiasm of the audience who witnessed the historic co-starring is similar to the video version, but the core of the sound is clearly thicker and the direct feeling is different. Moreover, since it is a DAT clone, there is almost no deterioration, and the freshness of Pitch Pichi surpasses all previous releases. In fact, the sound you hear from this work is extremely natural, with no deterioration noise or skipping. As expected, the sound pressure was too low when using the master itself, so I made adjustments, but I have not done anything to reduce the freshness of the sound. The recording time is longer than the video master, and you can listen to the stable and beautiful sound of “E5150” and “Mob Rules” of “November 15th”, which tend to skip or be cut when dropping the video, and even the original reunion Completely recorded from the long introduction. Previously released titles were 2-disc sets, but this time’s master could not fit and was made into a 3-disc set. A dream feast that shook the metal world. This time, this time, there will be no more. This is the birth of a preservation record that will forever preserve the ultimate sound that we have finally achieved!!! All of a sudden, it was gorgeous, and I thought it was a dream, but it happened 23 years ago, so the background behind Rob & SABBATH’s co-starring is also simple. Let me explain. Rob Halford has always been a person who respects his fellow classmates, BLACK SABBATH, but it was only on the following three days that he stood on stage as BLACK SABBATH’s frontman. ・November 14, 1992 Costa Mesa performance [This work] ・November 15, 1992 Costa Mesa performance [This work] ・August 26, 2004 Camden performance Among these, the “1992 2 days of 2019 Costa Mesa Performances. In the first place, this concert was held as “Ozzy Osbourne retirement commemoration live”. At that time, Ozzy had announced his retirement (withdrawn three years later), and Costa Mesa, California was chosen as his final performance. At that time, Ozzy was seriously planning to make it “the last live of his life”, and BLACK SABBATH was invited to support him. Stilts’ friends Tony Iommi and Geezer Butler readily accepted this offer, but Ronnie James Dio, who was singing in BLACK SABBATH at the time, firmly declined to perform, saying, “I don’t support clowns.” Rob Halford was chosen as Ronnie’s replacement. By the way, to Ronnie’s credit, he didn’t just leave SABBATH out of spite. The return project at this time had a “1 album + 1 tour” contract from the beginning. Even after Rob’s replacement was decided, they continued to perform shows until the last day of the tour (November 13th, the day before the Costa Mesa performance), and there were no cancellations. In other words, he simply “refused the additional dates,” but fulfilled his responsibility and left the group as originally planned. Aside from that, “Rob & SABBATH” was realized like this. Their performance will unfold the finest metal world that goes beyond their luxurious name value. Speaking of Rob & SABBATH, the professional shot of the “2004 Camden performance” is also famous, but while that one was “Ozzy’s substitute”, Rob at this time was only “Ronnie’s substitute”. He also sings repertoire from his Ronnie days, such as “Children Of The Sea,” “Die Young,” and “Heaven And Hell.” His melodic and dramatic song ideas are similar to JUDA PRIEST, and instead of making you feel uncomfortable, his heroic voice gives you a sense of elation. It will raise it. The performance itself was (by far!) better than the “2004 Camden performance”. After all, in 2004, it was decided that Ozzy would be absent from the show due to bronchitis on the day of the performance. Rob had only watched the DVD once on the tour bus, so he was singing karaoke while staring at the teleprompter showing the lyrics. In comparison, for this “1992 Costa Mesa performance,” we were able to prepare several days in advance and rehearse for two days (although it was still short). In “Children Of The Grave” on “November 15th”, he may make a mistake in entering, but it is clear that he basically grasps the song firmly and is prepared for how to make use of his proud high tone. Even Ian Gillan and Glenn Hughes were able to effortlessly perform difficult songs from Ronnie’s era, and even updated their versions. His singing ability is truly amazing. Also, the set list is a highlight. In fact, perhaps Rob’s SABBATH fan temperament exploded during the rehearsal, and songs that had not been played for a long time, such as “Symptom Of The Universe” and “Into The Void”, were also featured. It’s great to hear “Symptom Of The Universe”, which is also called the “original thrash metal”, with the voice of Steel God! However, these songs also started to be played on “CROSS PURPOSES TOUR 1994”. This co-starring is not just a spot, but an important show that will later influence SABBATH itself. Also, although it didn’t happen during the actual performance, Rob suggested that they “let’s do a Tony Martin song.” Seriously, just how passionate is this person a SABBATH fan? The last disc 3 includes the original BLACK SABBATH reunion stage as “Ozzy’s last performance (although it was not)” that was realized on “November 15th”. This is also much longer than the previous masters, and includes a scene where Ozzy introduces the three people from the prelude, which lasts about 5 minutes. This was also a perfect atmosphere of “Finally, the return of a legend!” and the audience was enthusiastic, saying, “We are witnessing something amazing…” The extremely profound “Black Sabbath” begins among them… Even listening to it now, knowing the success of the original SABBATH afterwards, it has an overwhelming sense of atmosphere and weight. Whistling and screaming were flying wild, but as Ozzy started singing, it suddenly stopped and turned into a big chorus. Although it is a scene that is also an official video, it is a different dimension spectacle that can only be achieved by recording from the audience seats. Rob sings fast songs with intense metal, style with heroic beauty, and doom sounds with an inhuman mystery. Kotetsukami has since sung SABBATH numbers on FIGHT, tribute albums, and the “2004 Camden Performance”, but his best performance is undoubtedly the “1992 Costa Mesa Performance.” Now that BLACK SABBATH has announced their disbandment tour and Rob’s throat seems to be darkening, he will no longer be updating this best. This once-in-a-lifetime feast is brought back to life from the “nothing better” DAT master clone, and is truly a monumental work for HEAVY METAL. Heavy metal Shangri-La appeared in this world for only two days. Can you miss it?! Pacific Amphitheater, Costa Mesa, CA. USA 14th & 15th November 1992 TRULY PERFECT SOUND(LONGER & UPGRADE) Disc 1(58:55) 1. E5150 2. Mob Rules 3. Computer God 4. Children Of The Sea 5. Symptom Of The Universe 6. N.I.B.7. Die Young 8. Into The Void 9. Heaven And Hell 10. Supernaut 11. Neon Knights Live at Pacific Amphitheater, Costa Mesa, CA, USA 15th November 1992 Disc 2(61:03) 1. E5150 2. Mob Rules 3. Children Of The Grave 4. Children Of The Sea 5. Symptom Of The Universe 6. N.I.B. 7. Die Young 8. Into The Void 9. Heaven And Hell 10. Sweet Leaf 11. Neon Knights Tony Iommi – Guitar Rob Halford – Vocal Geezer Butler – Bass Vinny Appice – Drums Geoff Nicholls – Keyboards Disc 3(30:11) ORIGINAL BLACK SABBATH REUNION 1. Introduction 2. Ozzy Introduction 3. Black Sabbath 4. Fairies Wear Boots 5. Iron Man 6. Paranoid Tony Iommi – Guitar Ozzy Osbourne – Vocal Geezer Butler – Bass Bill Ward – Drums