Black Sabbath/CA,USA 1976 Complete Upgrade & more

The legendary recording touted as the “strongest of the 70s” has finally evolved into a complete form! A full live album using a newly excavated soundboard has been decided to be permanently preserved! This work is engraved with the “November 9, 1976 Fresno performance”. This is a complete album that mainly uses the super-class audience recording and supplements it with a soundboard recording. If you have already experienced it, you may have already made up your mind, but for those who have not, let’s introduce the two superb records individually. Main: The legendary super-superb AUD that forms one corner of the [three major recordings of the 70s] First of all, the main audience recording is a follow-up to the traditional best “DEFINITIVE FRESNO 1976”. If you have it, please skip it. For those who do not, this recording is a super masterpiece that can be counted as one of the “three major recordings of the 70s”. Here, let me introduce the “three greats”. “TECHNICAL ECSTACY Tour” Recorded in Fresno on November 9, 1976 ←★This work★ “KILLING YOURSELF TO DIE (April 21, 1977 in Lund)” “NEVER SAY DIE Tour” “DEFINITIVE FRESNO 1978 (September 22, 1978)” These three works. In fact, the most popular in the 70s was the master Mike Millard’s “LONG BEACH ARENA 1975”, but that was only because of the popularity of “SABOTAGE” and Millard. When it comes to pure sound quality, even that masterpiece does not come close to the above three works. However, even such a transcendental recording had a (single and biggest) flaw. That is, “Snowblind is missing”. This was not cut during the distribution process, but was not recorded in the first place. In fact, Taper was anti-drug, and as soon as he heard the song title call of “Snowblind,” which sang about cocaine, he stopped the tape. Of course, he resumed recording when the song ended, but it has remained as a “recording without Snowblind.” Complement: SBD audio of the shocking pro shot unearthed last year This work is the first complete version in history in which the only flaw has been complemented. Moreover, the newly excavated soundboard (!) is used for complementation. This sound source is the soundboard audio of the video work “FRESNO 1976: PRO-SHOT VIDEO (Shades 2126),” which was unearthed last year and caused a shock. The existence of the unreleased pro shot itself was a surprise, but for enthusiasts, it was also great that “Snowblind,” which was missing from the legendary recording, was released to the world for the first time (by the way, this pro shot was deleted immediately after its release. Currently, it seems that only the degraded video on Youtube can be seen). And the person in charge of compensation and finishing was “GRAF ZEPPELIN,” who also worked on “DEFINITIVE FRESNO 1976.” After getting to know the main audience recording, the texture of the sound board is connected as close as possible. In fact, the finish is amazing. In the first place, the compatibility between the “super audience” and the “unprocessed sound board” is also excellent, and (although it is not completely identical) you can listen to it almost without any discomfort. And once again, the quality of the sound of the legendary audience recording, which is the main one, is keenly felt. Even the sound board is the best, but it exceeds it lightly. If the supplementary sound board is “excavation official class”, the main audience is even “official masterpiece class”. As expected, it can be counted as one of the “three majors of the 70’s”. In fact, there are overseas enthusiasts who mainly edit the newly excavated SBD, but this work is a stance of “the audience is the main character”. Because cutting even one second of this legendary beautiful sound is nothing but a blasphemy of recording history. Finally, the full live album of the five-piece Sabbath is born. The sound is the full set of the “TECHNICAL ECSTASY Tour”, which has a precious set and ensemble. Gerald Woodruff accompanied the tour on keyboards, and not only the “TECHNICAL ECSTASY” numbers but also classics such as “Snowblind” are colored by keyboards. It is a “five-piece Sabbath” that is different from other eras. And this work allows you to enjoy the full show. Speaking of the official thing of this tour, there was also a Pittsburgh performance soundboard in the Dela Eddy box of “TECHNICAL ECSTASY”, but that was only an excerpt of about nine songs. In contrast, this work is the full set complete version. Let’s compare the sets here so that you can experience the overwhelming number of songs. Technical Ecstasy (4 songs) All Moving Parts (Stand Still) / Gypsy / Dirty Women / Rock ‘n’ Roll Doctor (★) Previous (7 songs) Paranoid: War Pigs / Electric Funeral / Iron Man (★) / Paranoid (★) Others: Symptom Of The Universe / Snowblind (＊) / Black Sabbath / Children Of The Grave *Note: “★” is a song that was not included in the official Pittsburgh performance SBD. “＊” marks songs that were supplemented with a soundboard. … and so on. The full soundboard of the “TECHNICAL ECSTASY Tour” has not yet been unearthed, and “KILLING YOURSELF TO DIE”, one of the aforementioned “three major recordings”, is actually incomplete. This work is the first full live album in history that allows you to enjoy the whole view of the “TECHNICAL ECSTASY Tour”, which is special in both set and ensemble. Bonus: Newly excavated soundboard collection Although such a full live album alone is heart-warming, this work also includes additional bonus tracks. It is a soundboard for five excavated songs. Only “Snowblind” was used to complement the main story, but here you can enjoy the soundboards of four more songs, “Supertzar”, “Symptom Of The Universe”, “All Moving Parts (Stand Still)” and “Children Of The Grave”. In fact, the excavated pro shot also had “War Pigs”, but it was about the first two minutes. It was a cut-off dragonfly that was less than a quarter of the entire song, so it was not included in this work, which pursues the perfection of a music product (if you want to experience it, please enjoy the video work “FRESNO 1976: PRO-SHOT VIDEO”). Compared to the same recording collection “DEFINITIVE FRESNO 1978 (Zodiac 572)” two years later, the 1976 edition of Fresno has been said to be “good but incomplete”. This is a new masterpiece that has eliminated that drawback with a superb soundboard. It goes beyond the dimension of “experience the TECHNICAL ECSTACY Tour” and stands on the horizon of “If you’re in the 70s, you have to listen to this.” An expanded version that compensates for the missing Snowblind in the previous album “DEFINITIVE FRESNO 1976” with a soundboard. Bonus tracks are also added. Based on “DEFINITIVE FRESNO 1976”, the pro-shot audio of “FRESNO 1976: Pro-Shot Video (Shades 2126)” has been added. The addition was made somewhat closer to the texture of the main stereo Aud sound source, so it should not feel as strange as you might think even when listening with headphones. The first full live album of the “November 9, 1976 Fresno Performance”. This is a two-disc set that mainly features the legendary super-class audience recording, and compensates for the unrecorded “Snowblind” with a soundboard recording on the same day. The main audience recording is a super-famous recording that is said to surpass even Millard’s work, and the sound board that was just excavated last year is also of the highest quality. As a bonus, it is an absolute edition of Sabbath from the 1970s that also includes five additional songs from the newly excavated sound board. Selland Arena, Fresno, CA, USA 9th November 1976 TRULY PERFECT SOUND/SBD UPGRADE Disc 1 (41:55) 1. Supertzar 2. Symptom Of The Universe 3. Snowblind　★0:07-6:23 Supplemented from professional shot audio 4. All Moving Parts (Stand Still) 5. War Pigs 6. Gypsy 7. Black Sabbath Disc 2 (62:40) 1. Dirty Women 2. Drums Solo 3. Guitar Solo 4. Rock ‘n’ Roll Doctor 5. Electric Funeral 6. Iron Man 7. Children Of The Grave 8. Paranoid BONUS: SOUNDBOARD TRACKS 9. Supertzar 10. Symptom Of The Universe 11. Snowblind 12. All Moving Parts (Stand Still) 13.Children Of The Grave Ozzy Osbourne – Vocals Tony Iommi – Guitar Geezer Butler – Bass Bill Ward – Drums Gerald Woodruffe – Keyboards