Black Sabbath/CA,USA 10.01.1971 Complete Upgrade

The legendary original recording that amazed collectors all over the world has been brushed up! It will be released on the highest peak updated sound CD!! The “October 1, 1971 San Francisco performance” is permanently preserved in this work. It is the best audience recording. Speaking of 1971, it was the time when the “PARANOID Tour” and “MASTER OF REALITY Tour” intersected. The meaning of the recording changes greatly with a slight difference in timing, so let’s first check the position of the show in the activity summary at that time. 1971 “PARANOID Tour” ・January 7th-23rd: Europe #1 (11 shows) ←※SHEFFIELD 1971 etc. ・January 31st: MYPONGA OPEN AIR ・February 6th-7th: Netherlands (2 shows) ・February 17th-April 4th: North America #1 (41 shows) ←※INTO THE VOID 1971×× April 7th-13th: The Phantom First Visit to Japan XX ・April 15th-26th: Europe #2 (10 shows) ←※ETERNAL VOID OF DOOM “MASTER OF REALITY Tour” ・July 2nd-August 17th: North America #2 (30 shows) ←※BEGGARS’ BANQUET DANCE September 4-7: Europe #3 (3 shows) * September 18-October 23: North America #3 (27 shows) ←★here★ December 3-6: Europe #4 (3 shows) 1972 January 24-February 24: Europe #5 (18 shows) March 1-April 2: North America #4 (29 shows) ←※SAN BERNARDINO 1972 “VOL. 4 Tour” July 13-September 15: North America #5 (27 shows) ←※DAYTON 1972 and other “MASTER OF REALITY Tour” Legendary original recording This is the 1971/1972 BLACK SABBATH. The San Francisco performance in this work was the 11th concert of “North America #3”, right in the middle of the “MASTER OF REALITY Tour”. This work, which conveys such a show, is an original recording unearthed by our store. This recording was made by a record company staff member during a trip to the United States (six months after their failed first visit to Japan, perhaps they were planning a return?), and was digitized directly from the master reel. It’s not just valuable; the sound is superb. While it’s not the kind of recording that could be mistaken for a soundboard, it’s incredibly fresh, with no visible dubbing marks, and all four musicians’ sounds are clearly recorded. Speaking of the “MASTER OF REALITY Tour,” “BEGGARS’ BANQUET DANCE 1971 (Zodiac 802)” reigns supreme, but that’s only if you prioritize a direct, on-the-core feel. Those who appreciate a natural feel, stability, and beautiful sound will find this release several levels superior. A new masterpiece updated with the latest mastering. This release is the pinnacle update of this classic recording. While the debut release of the same title, “Reel Masters-004 (2004),” retained the sound of the master, this release has been polished with the latest mastering. The balance was adjusted based on frequency analysis, dramatically improving the clarity of the high frequencies. The effect was tremendous. While the original aim was to faithfully reproduce the sound of the actual performance, the result was a remarkable improvement in the separation of each instrument, and Ozzy’s singing voice became extremely relaxed. The fluffy feeling disappeared, and it felt as if he was several meters forward to the recording position. The full show depicted with such sound was truly a climax. Although there were no rare songs, the set featuring the killer songs from the early trilogy “Black Sabbath,” “Paranoid,” and “Master of Reality” was particularly rich, and the band’s potential that created this trilogy exploded with stage tension. There was no gap or slack in the set or performance. This is the golden age! This is a masterpiece! The persuasive power of overflowing from the speakers. The “MASTER OF REALITY Tour” was a masterpiece, traditionally in high demand among audiences, without a soundboard. This is its signature original recording. In terms of natural beauty, this is an absolute album that surpasses even the reigning champion, “BEGGARS’ BANQUET DANCE 1971.” This is a superb audience recording of the “October 1, 1971 San Francisco performance.” This is the highest peak update, refining the legendary original recording unearthed by our shop with the latest mastering. The clarity of the high notes has improved dramatically, and the separation of each instrument has also been improved. The fluffy feeling has disappeared, and Ozzy’s singing voice has been transformed into a more relaxed one. This is the birth of an absolute album that surpasses even the reigning champion, “BEGGARS’ BANQUET DANCE 1971.” Winterland Ballroom, San Francisco, CA, USA 1st October 1971 PERFECT SOUND(from Original Masters) UPGRADE (66:24) 1. Introduction 2. N.I.B. 3. War Pigs 4. Sweet Leaf 5. Iron Man 6. Wicked World 7. Guitar Solo 8. Wicked World (reprise) 9. Embryo 10. Children Of The Grave 11. Paranoid 12. Fairies Wear Boots Ozzy Osbourne – Vocals Tony Iommi – Guitar Geezer Butler – Bass Bill Ward – Drums