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Beatles / The Beatles are coming! Yea! Yea! Yea! The ultimate sound source complete reproduction permanent preservation edition A Hard Day’s Night Premium Vinyl Collection

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This is the ultimate original analog master sound source engraved on a record! Four types of analog sound sources, British mono first press / German stereo remaster / US mobile stereo / British HTM stereo remaster, are reproduced in high-resolution HQ with the highest sound quality! “The Beatles / A Hard Day’s Night: The ultimate sound source complete reproduction permanent preservation edition” This is the ultimate original analog master sound source engraved on a record! “A Hard Day’s Night” Complete reproduction of four sound sources from around the world! In the 1960s, The Beatles records were produced in various countries around the world, and were released in various forms different from the original British version, from the unique mastering and cutting of the sound source to the jacket design. Even after that, in the analog era before digitalization by CD, there were many variations in the re-releases around the world. Now that information is being shared and verified by collectors around the world, the album version is attracting particular attention as the ultimate item that maniacs drool over, and this “Premium Vinyl Collection” is the culmination of the best sound sources, completely recorded in stereo/mono with outstanding freshness by direct transfer from each analog record master. It is a premium sound source collection consisting of a CD containing the ultimate analog sound source and an audio DVD containing four sound sources including high quality high resolution sound source. This collection is the album “A Hard Day’s Night” released in July 1964, which is the third album in total, and was positioned as a soundtrack album for the first starring movie produced as the Beatlemania phenomenon spread not only in the UK but also around the world. This album was produced after the introduction of 4-track recording, so the recording technology has evolved and the mono mix is ​​mainstream, but the stereo mix is ​​different from the previous two albums in which singing and playing were separated. The CD contains the original mono sound source of the first British original in the first half. There is no so-called “loud cut” version of this album like the previous album “With the Beatles”, but the fresh sound can be felt with the quality unique to the original British first pressing. Although the mono version has been reissued several times, the difference is clear when compared to the original mono version cut in the 1960s, and it is a superb sound unique to the original first pressing that can only be enjoyed with a direct copy from the analog version. The latter half of the CD contains the HTM 1984 stereo remix sound source of the British Silver Parlophone reissue released in 1984. This sound source, cut by Harry Moss, a famous engineer at Abbey Road Studios, is a noteworthy stereo remaster unique to the 1980s version, in which the sound itself is clearer and the mid-high range is brighter than the normal stereo mix of the original British version, making the vocals and chorus easier to hear and the mix with high separation of each instrument. This is also a sound source unique to the analog version, which is different from the current digitally remastered version. The DVD is a “High Resolution & HQ Audio Selection” that contains four different sound sources, including a high-quality high-resolution sound source, in audio DVD format, allowing you to compare the differences between the sound sources. Audio 1 contains the mono sound source of the original British first pressing. You can listen to the sound of the analog record in a high-quality high-resolution format (96 khz/24 bit) that reproduces the texture of the record with higher specs than CD. Audio 2 contains the stereo sound source of the 1976 German Odeon reissue. Unlike the original British stereo mix, this German pressing has a unique stereo mix with echo effects added to create a more stereo feel, making it a rare mix that can only be heard here. Audio 3 contains the stereo sound source from the Mobile Fidelity (MFSL) pressing released in the United States in 1982. Compared to the regular versions from various countries, this is a stereo mix standard sound source recorded from the popular mobile record, which is considered to be the highest quality analog master as a clear and well-balanced audio reference, and is a limited record pressing of the stereo sound source from the British original master in high sound quality. Audio 4 contains the British HTM 1984 stereo remix sound source, which was reissued in 1984. This is also an HQ (high quality 48 khz) sound source with specifications higher than CD. The DVD video plays each record jacket and label photo in slide show format, and each sound source can be selected by audio selection. This is a special edition of “A Hard Day’s Night” that reproduces the four precious record sound sources, which have now become super expensive treasure premium items! UK original mono “first pressing” (1964) Germany Odeon 1976 stereo remaster (1976) US Mobile Fidelity MFSL stereo (1982) UK HTM 1984 stereo remaster (1984) THE BEATLES / A HARD DAY’S NIGHT : PREMIUM VINYL COLLECTION STEREO/MONO COMPLETE REPRODUCTION DIRECT VINYL TRANSFER FROM THE ORIGINAL PRESSING RECORDS CD A HARD DAY’S NIGHT // 1964 ORIGINAL U.K. PARLOPHONE FIRST PRESSING MONO (PMC 1230 XEX481/2-3N) 10th July 1964 01. A HARD DAY’S NIGHT 02. I SHOULD HAVE KNOWN BETTER 03. IF I FELL 04. I’M HAPPY JUST TO DANCE WITH YOU 05. AND I LOVE HER 06. TELL ME WHY 07. CAN’T BUY ME LOVE 08. ANY TIME AT ALL 09. I’LL CRY INSTEAD 10. THINGS WE SAID TODAY 11. WHEN I GET HOME 12. YOU CAN’T DO THAT 13. I’LL BE BACK 1984 U.K. EMI/SILVER PARLOPHONE – HARRY MOSS REMASTER STEREO “HTM 1984 REMASTERING MIX” (PCS3058 YEX126/7-1) 14. A HARD DAY’S NIGHT 15. I SHOULD HAVE KNOWN BETTER 16. IF I FELL 17.I’M HAPPY JUST TO DANCE WITH YOU 18. AND I LOVE HER 19. TELL ME WHY 20. CAN’T BUY ME LOVE 21. ANY TIME AT ALL 22. I’LL CRY INSTEAD 23. THINGS WE SAID TODAY 24. WHEN I GET HOME 25. YOU CAN’T DO THAT 26. I’LL BE BACK AUDIO DVD = HIGH RESOLUTION // HQ AUDIO SELECTION AUDIO 1 = 1964 ORIGINAL U.K. PARLOPHONE FIRST PRESSING MONO (PMC 1230 XEX481/2-3N) 10th July 1964 High Resolution 96khz/24bit Linear PCM Mono AUDIO 2 = 1976 GERMANY ODEON/EMI ELECTROLA STEREO “GERMAN 1976 REMASTERING MIX” (1C 062-04 145) HQ 48khz/16bit Linear PCM Stereo AUDIO 3 =1982 Mobile Fidelity Sound Lab US/JAPAN LIMITED PRESSING STEREO “HQ ORIGINAL STEREO MIX” (MFSL 1-103) HQ 48khz/16bit Linear PCM Stereo AUDIO 4 = 1984 U.K. EMI/SILVER PARLOPHONE – HARRY MOSS REMASTER STEREO “HTM 1984 REMASTERING MIX” (PCS3058) HQ 48khz/16bit Linear PCM Stereo AUDIO DVD NTSC 16:9 High Resolution & HQ Audio Linear PCM Stereo / Mono

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