Beatles/PA,USA 1964 Pre-FM Soundboard Remaster

During the Beatles’ first American tour (the visit to the United States in Washington D.C. included two one-off live performances and a TV appearance, so it was not a tour), the performance is said to be on par with that Hollywood Bowl. Philadelphia performance. Ever since it was released by TMOQ under the name “IN CONCERT AT WHISKEY FLAT,” it has been difficult to pinpoint the venue, and at one point, coupled with the fact that the place name was included in the title, I was wondering if it was an Atlanta performance? It was speculated that. Even now, the final deciding factor is still missing, but after it was defined in a research paper as “it seems to be a Philadelphia performance,” it has been settled that it will be held in the same location on September 2nd. Although it is a live sound source with such twists and turns, it has been called a great live sound source on par with the Hollywood Bowl because both the performance content and sound quality are excellent. First of all, there is something in common with that in that it is full of momentum, but on the other hand, the performance content is different from Hollywood in a good way. Compared to Hollywood, where there was an official recording requirement, he said he was able to perform more freely and freely here. The scene that symbolizes this is “If I Fell” where John and Paul sing around a microphone. It was so funny how I couldn’t help but laugh while the two of them were singing. Or the powerful opening with “Twist And Shout” is also special. There is no doubt that this sound source was recorded with the premise of radio broadcasting, and in that respect the Beatles should have known that it would be recorded as well. However, after the start of the tour, I have already experienced recording for broadcasting at several performances, and above all, I feel that the ease of completing the official recording at the Hollywood Bowl a week ago was reflected in the performance. Another appeal of the Philadelphia performance is that the sound quality is wonderful. For example, in the sound of Washington DC, the person in charge of recording does not understand the Beatles or rock, and the balance between the two guitars is often unnatural, which is often seen in Beatles live recordings. In that respect, this sound source is very well balanced, and it can be said that it is one of the best recordings even if you look at the entire 1964 live sound source, not to mention this tour. Since the sound source was already in such good condition during the early days of bootlegs, there was no way it wouldn’t become a bestseller. Naturally, various items have been released since entering the CD era, but among them, the item that was highly rated by enthusiasts was IMP’s “PHILADELPHIA 1964 Pre-FM SOUNDBOARD.” Remastered based on the version posted by enthusiasts on the internet. It is one of the best sound sources other than the official Hollywood Bowl, but since it seems like a 60’s radio sound source, the midrange tends to be too strong, so I adjusted this to give it a warmer sound. For enthusiasts, the ear octopus sound source is probably a good place, but for those who thought that the 1964 American tour would be performed at a place other than the Hollywood Bowl, which was made into an official CD with a blue jacket a few years ago… The perfect and most affordable gift. Please enjoy the famous Beatles live sound source that has been passed down from generation to generation. (Remastered Memo) The vocals and guitar in the mid-high range are prominent, and the bass is thin, so I made adjustments to make them easier to listen to. Furthermore, the sound pressure has been averaged. Live at Convention Hall, Philadelphia, PA, USA 2nd September 1964 SBD(REMASTER) (30:30) 1. Intro. 2. Twist And Shout 3. You Can’t Do That 4. All My Loving 5. She Loves You 6 Things We Said Today 7. Roll Over Beethoven 8. Can’t Buy Me Love 9. If I Fell 10. I Want To Hold Your Hand 11. Boys 12. A Hard Day’s Night 13. Long Tall Sally Mono Pre-FM Soundboard Recording