Beatles/Complete Rock Band Collection

The “Rock Band Mix” series, a new remastered item for game software in 2009, is here. The contents are the same as the single CDs, but the bonus tracks include valuable radio recordings and longer chats between songs. For those who missed out on the previous releases and beginners, the price is reasonable, so this is your chance. The contents are as follows. [JUST A ROCK BAND THAT’S ALL] The studio works rare mix collection that has been a hot topic since 2009 is here as a complete edition including “All You Need Is Love” and “Oh, Darling”. First of all, the original countdown is left intact for almost all songs, and some songs are recorded from the studio and the sound is played. The endings do not fade out, and sounds that have not been heard before are recorded for much longer, for example, “Twist And Shout” which starts with John’s countdown will give you goosebumps. Other songs such as “Boys”, “Ticket To Ride” and “Day Tripper” do not fade out at the end. “Do you want to know a secret” has a beautiful ending that leaves a lingering impression without fading out, which is why I think it would have been better to use this version. I was surprised that the ending of “I Wanna Be Your Man” was originally supposed to end like this. Also, the double intro count for “Taxman” was replaced with only the original count. “Eight Days A Week” also has a count, and it is a clean intro instead of a fade-in. Furthermore, “Good Morning Good Morning” does not fade out, and John’s crazy ad-lib vocals continue endlessly. The ending of “Hey Bulldog” does not fade out, and John’s vocals continue, and the song ends with John’s shout of “Be quiet!”, which is a shocking ending in a sense. “Helter Skelter” starts with a count, and there is no fade-in and fade-out in the middle. “I Feel Fine” and “If I Needed Someone” are studio recorded, but the ending sounds like a Japanese performance…and more, all of these are mixed differently, so all of the songs are worth listening to. Also, since each song has its own original countdown, it’s interesting to see which member takes the lead in the song and how each member counts in their own way, which gives a sense of their individual personalities. DISC ONE: 01. I Saw Her Standing There 02. Boys 03. Do You Want To Know A Secret 04. Twist And Shout 05. I Wanna Be Your Man 06. I Want To Hold Your Hand 07. A Hard Days Night 08. Can’t Buy Me Love 09. I Feel Fine 10. Eight Days A Week 11. Ticket To Ride 12. Day Tripper 13. Drive My Car 14. I’m Looking Through You 15. If I Needed Someone 16. Paperback Writer 17. Taxman 18. Yellow Submarine 19. And Your Bird Can Sing 20. SGT. Pepper’s Lonely Hearts Club Band 21. With A Little Help From My Friends 22. Lucy In The Sky With Diamonds 23. Getting Better 24. Good Morning Good Morning 25. Hello Goodbye 26. I Am The Walrus 27. Revolution DISC TWO : 01. Back In The U.S.S.R. 02. Dear Prudence 03. While My Guitar Gently Weeps 04. Birthday 05. Helter Skelter 06. Hey Bulldog 07. Don’t Let Me Down 08. Come Together 09. Something 10. Octopus Garden 11. I Want You 12 Here Comes The Sun 13. The End 14. Dig A Pony 15. I’ve Got A Feeling 16. I Me Mine 17. Get Back 18. Tomorrow Never Knows – Within You Without You 19. All You Need Is Love 20. Oh, Darling 21. Studio Chats [RUBBER SOUL ROCK BAND MIXES] You can listen to “Rubber Soul” with a new mix of all the songs, and the new mix is ​​not the only feature. The point is that there are quite a few parts that appear for the first time before and after the song, such as the presence or absence of counts and fades. This title, like the previous series, is a treasure trove of rare sound sources. To give a few examples, the ending of “You Won’t See Me” is different from the released version. Also, the intro of “Nowhere Man” starts with a count after the guitar, and as can be said for other songs, the lingering sound at the end is also recorded for a long time. Furthermore, “The Word” is also a great sound source, with a completely different ending arrangement. And “Michelle” is a surprising sound source that starts with the appearance of practicing the intro phrase, then the voice announcing the take in the studio, then the count, and the ending ends with the sound of cutting an acoustic guitar. And “Girl” starts with a voice saying “Girl Take 1”, John counting while trying out the guitar, and ends without fading out. Furthermore, at the beginning of the classic song “In My Life,” a conversation between John and Paul in the studio is recorded, with Paul counting instead of John! In addition, “Day Tripper,” a song from the same period that was not included in the album, is recorded, as well as footage of the studio during the album’s recording. Familiar phrases pop up here and there, phrases are practiced, and the whispering voices of each member give a sense of the tense atmosphere in the studio. Finally, as a bonus track, a radio program broadcast to coincide with the release of the remastered version includes a portion related to the album, talking about the members and the album, and a short, first-time appearance in the studio is also inserted. 01. Drive My Car 02. Norwegian Wood 03. You Won’t See Me 04. Nowhere Man 05. Think For Yourself 06. The Word 07. Michelle 08. What Goes On 09. Girl 10. I’m Looking Through You 11. In My Life 12. Wait 13. If I Needed Someone 14. Run For Your Life 15. Day Tripper (BONUS TRACKS) 1 6. Studio Talk 17. Beatles Talks RUBBER SOUL 09 09 09 Radio Special 18. introductions and interviews 19. Norwegian Wood 20. If I Needed Someone 21. interviews [SGT PEPPER’S ROCK BAND MIXES] You can listen to all the songs on “Sgt. Pepper’s” in a new mix, and the new mix is ​​not the only feature. There are many parts that appear for the first time before and after the songs, such as the presence or absence of counts and fades. To give some examples of the sound sources that appeared for the first time this time, “Fixing A Hole” has a long recording of the studio before the performance, and you can hear the members playing the intro phrase and talking, which conveys the tension before the performance. “She’s Leaving Home” also starts with a count as each person makes sounds in the studio, and “Being For The Benefit Of Mr.Kite!” allows you to hear John’s relaxed laughter before the song, and Paul responds to it. Paul plays the bass line of this song, but there is also an interesting scene where John tries to improvise another song to match it. “When I’m Sixty-Four” also has a count after a light sound. Before the song “Lovely Rita”, John instructs George to “make the intro louder.” In addition, “Sgt. Pepper’s Reprise” is a version that does not overlap the intro of “A Day In The Life” at the end, and “A Day In The Life” also has many outtakes, but the pre-song scene recorded here is the first time I’ve heard it, and John’s serious count is impressive. Finally, as a bonus track, a part related to Sgt. Pepper from a radio program broadcast to coincide with the release of the remastered version is recorded. The members and George Martin talk about Sgt. Pepper, and the first appearance in the studio is also recorded, albeit briefly. 01. SGT.Pepper’s Lonely Hearts Club Band 02. With A Little Help From My Friends 03. Lucy In The Sky With Diamonds 04. Getting Better 05. Fixing A Hole 06. She’s Leaving Home 07. Being For The Benefit Of Mr.Kite! 08. Within You Without You 09. When I’m Sixty-Four 10. Lovely Rita 11. Good Morning Good Morning 12. .Pepper’s Lonely Hearts Club Band 13. A Day In The Life (BONUS TRACKS)09 09 09 Radio Special:14. introductions and interviews 15. SGT.Pepper’s Lonely Hearts Club Band 16. A Day In The Life 17. I Am The Walrus 18. Hello Goodbye [ABBEY ROAD ROCK BAND MIXES] You can listen to all the songs from “Abbey Road” in the new mix from 2009. Not only are they new mixes, but there are also many parts before and after the songs that have never appeared before, such as counts and fades, which is a major feature. For the first time, there are also takes with counts on “Maxwell’s Silver Hammer” and “Because”. Also, the ending of “You Never Give Me Your Money” isThe highlight of the album is the opening theme song, and “Sun King” starts with John’s lazy counting, with the melody intact, and there are many surprising first-time recordings. Also, “Sun King” is originally connected to “Mean Mister Mustard” as a medley, but in this version the ending is not a medley but ends with a jump. The following “Polytheme Pam” begins with John and Paul discussing the opening part of the song, and the moment when John says, “We did it the other day,” and the intro guitar is easily strummed, counting in, and the performance begins is very moving. This song was recorded at the same time as the next song, “She Came In Through The Bathroom Window,” so it is also connected as a medley here. And one of the highlights is “Her Majesty,” which begins with Paul’s tweet, and then John counts in, and the guitar sounds go “Jaaaan!”, and the end ends with the familiar sound from the previous release, making it a truly complete version. Up to this point, all the songs from Abbey Road are recorded in a rock band mix, and from then on, as bonus tracks, the B-side medley is recorded in a rock band mix, and finally, “The End,” which starts with a countdown, is recorded alone. This is one of the rarest albums in the rock band album series released in 2009. 01. Come Together 02. Something 03. Maxwell’s Silver Hammer 04. Oh! Darling 05. Octopus’s Garden 06. I Want You 07. Here Comes The Sun 08. Because 09. You Never Give Me Your Money 10. Sun King (Separate Take) 11. Mean Mr. Mustard (Separate Take) 12. Polythene Pam 13. She Came In Through The Bathroom Window 14 Golden Slumbers 15. Carry That Weight 16. The End 17. Her Majesty (Complete)18. You Never Give Me Your Money 19. Sun King 20. Mean Mr.Mustard 21. Polytheme Pam 22. She Came In Through The Bathroom Window 23. Golden Slumbers 24. Carry That Weight 25. The End 26. Her Majesty 27. The End (Separate Take)