Bad Company/PA, USA 1989

BAD COMPANY in 1989 was trying to build a new golden era after Brian Howe passed away suddenly last year. Introducing a live album where you can enjoy a hot full show that is about to break out again. This work includes “June 24, 1989 Wilkes-Barre Performance”. This is the best audience recording. At that time, “DANGEROUS AGE”, the second release of the band’s restart, was awarded a gold disc, and signs of a comeback were beginning to be seen. First of all, let’s look back at the schedule at that time and check the show’s position. 1988《DANGEROUS AGE” released on August 23rd》 November 11th – December 8th: North America #1 (12 performances) March 9th – 23rd, 1989: North America #2 (5 performances) April 4th – May 28th: ​​North America #3 (40 performances) June 9th – 25th: North American #4 (7 performances) ←★Here★ This is BAD COMPANY in 1988/1989. European tours were also realized with the “FAME AND FORTUNE Tour” and “HOLY WATER Tour,” but during the “DANGEROUS AGE” era, they were only in North America. The Wilkes-Barre performance of this work is the final one. This was the second to last concert of the last “North America #4” performance. This work recorded at such a show is a new excavation master that is currently a hot topic. The most talked about thing is the superb sound that is “super” without any modifications. After all, this work came out of a project to excavate a series of masterpieces. The project is a series in which the original master of the recording artist “luvsufo” is transferred by the prestigious “Krw_co”, and at our store we also have RAINBOW’s “HARRISBURG 1982”, GUNS N’ ROSES’ “ALLENTOWN 1987”, Ozzy’s “BETHLEHEM 1984″ We have introduced many masterpieces such as “. This work is the latest installment of such a winning collection. In fact, the sound of this work further enhances its reputation. You won’t mistake it for a sound board because of the realistic applause and loud cheers that spread far away, but the clarity of the performance sounds and singing voices might make you mistake it. Although the sound of the hall is picked up, it shines brightly, and instead of hiding the details, it feels even clearer. Of course, you won’t be able to feel the distance, and your whole body will melt from the powerful, straight core and the lustrous sound. You can say that it is “just like an FM sound board”, but rather it is an aesthetic sound that you should pay attention to the “beauty unique to the audience” hidden there. What is depicted with such a beautiful sound is a full show with the bitterness of blues rock and the pop feel of FOREIGNER. Speaking of live shows from the Howe era, the traditional official edition “WHAT YOU HEAR IS WHAT YOU GET” is famous above all, so let’s organize the sets while comparing them. Paul Rodgers era (6 songs) ・Bad Company: Ready For Love/Movin’ On/Can’t Get Enough/Bad Company ・Straight Shooter: Feel Like Makin’ Love ・Desolation Angel: Rock ‘n’ Roll Fantasy Brian Howe era (6 songs) ・Fame and Fortune: Tell It Like It Is (★) ・Dangerous Age: Excited (★) / One Night (★) / Shake It up (★) / Dangerous Age (★) / No Smoke Without A Fire *Note: Songs marked with “★” are not available on the official version of “WHAT YOU HEAR IS WHAT YOU GET.” …and it looks like this. Although we have classics from the Rogers era, what is more valuable is the repertoire from the Howe era. Only “No Smoke Without A Fire” could be heard on “WHAT YOU HEAR IS WHAT YOU GET”, but everything else is not covered. And when you see numbers like that, you realize once again Howe’s skill. Vocalizations that are rooted in soul rather than blues, endless tension, and sharp, edgy shouts…everything is top-notch. While the classics from the Rogers era have a deep vibe to them, they always have a youthful vibrancy. Third generation singer: Robert Hart has been talked about as being “just like Rogers,” but Howe is actually more similar to Lou Gramm. Not only their voice quality and singing style, but also their dexterity on stage are on the same level (Joe Lynn Turner was once said to be the representative of the Lou Gramm group, but Howe is definitely closer to him. ). The “DANGEROUS AGE Tour” ended with one performance after this work. Their next album “HOLY WATER” became a platinum-selling hit, marking the beginning of BAD COMPANY’s second golden age. This work is on the verge of that. It was a moment when he was about to break the glass ceiling of “Badcan without Rogers,” and you can really feel his popularity as he prepares to break out again. The Brian Howe era was more refreshing than the one after Rodgers’ return, which was all about a kind of nostalgic melodic activity. A valuable new unearthed live album that gives you the ultimate experience of an era that is often overlooked. The best audience recording of “June 24, 1989 Wilkes Barre Performance”. This is the golden series of “luvsufo recording + Krw_co excavation” that has produced many masterpieces, and the core that stretches straight and strong without any sense of distance and the glossy and sparkling sound will melt your heart. Although it can be said that it is “just like an FM sound board”, it is a famous recording that should be focused on the “beauty unique to the audience”. You can also enjoy a great experience of famous songs that cannot be heard on the official version of “WHAT YOU HEAR IS WHAT YOU GET”, such as “Tell It Like It Is”, “Excited”, “One Night”, “Shake It up”, and “Dangerous Age”. Live at Kirby Center, Wilkes-Barre, PA, USA 24th June 1989 TRULY PERFECT SOUND Disc 1(43:38) 1. Excited 2. One Night 3. Rock And Roll Fantasy 4. Shake It up 5. Ready For Love 6. Dangerous Age 7. Movin on 8. No Smoke Without Fire Disc 2(37:32) 1. MC 2. Feel Like Makin Love 3. Tell It Like It Is 4. Drum Solo 5. Can’t Get Enough 6. Bad Company Brian Howe – lead vocals Mick Ralphs – guitar, keyboards, backing vocals Simon Kirke – drums, backing vocals Steve Price – bass, backing vocals Larry Oakes – keyboards, rhythm guitar backing vocals