Alcatrazz/PA,USA 1984

The original ALCATRAZZ, which quickly dismantled while making Yngwie Malmsteen’s guitar revolution known to the whole world, is here. A new excavation master who can experience the final scene is here. This work is recorded at the “Music Performance on June 29, 1984”. It is the best audience recording. Speaking of 1984, it was the time when Yngwie was replaced by Steve Vai and he visited Japan twice. What position will this work take in that busy situation? First of all, let’s look back at the schedule at that time. 1983 September 1st + 12th: Los Angeles (2 performances) {NO PAROLE FROM ROCK ‘N’ ROLL released October 15th} October 31st: Los Angeles performance ← *DEFINITIVE RESEDA November 18th: San Francisco performance December 21st: Huntington Beach performance December 26th: Milwaukee performance 1984 January 24th – 29th: First visit to Japan (5 performances) ← *Official footage February 19th – April 21st: North America #1 (11 performances) May 23rd – July 8th (?): North America #2 (19 performances) ← ★This work★ {Yngwie leaves the band → Vai joins} July 13th: California performance October 3rd – 11th: Japan (5 performances)This is ALCATRAZZ in 1983/1984. I apologize for the usual excuses, but research by ALCATRAZZ and Yngwie is slow and the performance data is vague. The above also combines multiple contradictory materials, so details such as the number of performances cannot be trusted. However, I think you can understand the general flow. To be honest, Yngwie’s final performance is also unclear, but it is probably “early July 1984”. The Moosic performance of this work is “the end of June”, so it was just before he left the band. This work recorded at such a show is a superb audience that will blow your mind. It has been digitized directly from a newly excavated analog master very recently, but it was the prestigious “Krw_co” who was responsible for the excavation. It is a truly certified masterpiece. Above all, the sound itself speaks of its lineage. It is not mistaken for a sound board because it absorbs the hall sound, but its core is extremely on and the details are super delicate. Moreover, the freshness, with no dubbing marks or twists, is certainly nothing other than the original master. The fresh and unclouded sound is far more beautiful than a core-exposed soundboard, and even has elegance. There are formulaic phrases such as “much better than a bad soundboard” and “beauty unique to audience recording,” but there are few sounds that fit so perfectly. It is probably a full recording, but the show itself was short because it was an opening for Ted Nugent. Let’s organize the set, which was condensed into about 46 minutes of time. NO PAROLE FROM ROCK ‘N’ ROLL ・Too Young To Die, Too Drunk To Live／Jet To Jet／Island In The Sun／Kree Nakoorie Others ・Rainbow: Since You Been Gone／All Night Long ・Solo: Night Games …… and so on. There are no rare songs, but the performance itself is actually very valuable. Perhaps because it was a short set, he was in amazing shape. Young Yngwie would have been amazing no matter how long he played, but this work is also amazing for Graham. At the time, he had a drinking habit and it was a big hit or miss, but this day was a big hit. The vocalization that stretches well is comparable to the studio version, and the tension unique to the stage is even greater. The difficult song “Jet To Jet” that is usually a nerve-wracking song is also a big hit. If only they had taken “METALLIC LIVE” in this condition… It is a great performance that makes me think of my complaints from 37 years ago. Even so, the sound and show are amazing. In June 1984, the worst human relationships had already become an open secret and were on the verge of collapse. Despite that time, they had put on such a great show… This live album is shocking even at the fact that it was a live album. A new masterpiece filled with great live performances with a sound more powerful than any other sound board. The finest audience recording of the “June 29, 1984 Moosic Performance”. The newly excavated master by the prestigious “Krw_co” is extremely on-core and super-detailed. Moreover, the freshness is fresh and unclouded, with no dubbing marks or twisting. There are formulaic phrases such as “much better than a bad soundboard” and “beauty unique to audience recording,” but there are few sounds that fit so perfectly. Although the pressing was missed due to the short set of Ted Nugent’s opening act, Graham also gave a great performance because it was short. This is the birth of a new masterpiece with a special sound and content. Rocky Glen Park, Moosic, PA, USA 29th June 1984 TRULY AMAZING/PERFECT SOUND (46:16) 1. Intro 2. Too Young To Die 3. Jet To Jet 4. Island In The Sun 5. Night Games 6. Kree Nakoorie 7. Guitar Solo 8. Since You Been Gone 9. All Night Long Graham Bonnet – Vocal Yngwie Malmsteen – Guitar Gary Shea – Bass Jan Uvena – Drums Jimmy Waldo – Keyboards