Aerosmith/Tokyo,Japan 2002 Upgrade & more

In 2002, AEROSMITH was at the peak of their popularity in Japan, both in name and reality, having come to Japan twice in one year. The best pro shot is now available as a new master that updates the highest quality. This work was filmed at the “June 27, 2002: Tokyo Stadium (currently Ajinomoto Stadium)” performance. Earlier, I said “twice in a year”, but this is my second time. Let’s get an idea of ​​the entire tour schedule from the “JUST PUSH PLAY” era. ●2001《“JUST PUSH PLAY” released on May 6th》・June 6th – December 9th: North America #1 (64 performances)●2002, January 5th – 17th: North America #2 (7・January 25th – February 3rd: Japan #1 (6 performances) ・April 14th: MTV Icon appearance ・June 27th: Japan #2 (1 performance) ←★Here★《July 2 “O, YEAH! ULTIMATE AEROSMITH HITS” released] August 13th – December 21st: North America #3 (51 performances) Although it has been compressed considerably, this is the live performance from the “JUST PUSH PLAY” era. “North America #1 + North America #2 + Japan #1” is “JUST PUSH PLAY TOUR” and “North America #3” is “GIRLS OF SUMMER TOUR”. The Tokyo Stadium performance of this work was a special performance that became the official concert of the 2002 FIFA World Cup, which was held during that time. Also, there is a period of about four and a half months between “Japan #1” and “Japan #2”, but the only appearance in that time was on MTV. Although there was a gap, it was an unusual return to Japan in terms of the number of performances. [Superb new excavation master] Such a show is a classic that was broadcast on TV at the time and produced many previous episodes. . . . Not. In fact, it is the original master only for this work. At our store, we offer a number of Japanese broadcasts with the best masters by core record enthusiasts, and this work is one of them. The quality using high-end equipment at the time of broadcasting is ultimate and truly official grade. Even if you compare it to the gift version…or should I say, there is no comparison at all. The gift version, which had digitally compressed roots, is completely different, and every single hair is super clear. Unfortunately, it was raining that day, but I could clearly see not only the raindrops floating in the spotlight, but even a single droplet of fog. And not only the master but also the camera work is official grade. As it is involved in a historical sporting event, its gigantic scale is worthy of national prestige. For example, even a slight angle across the audience seats filling a large venue can be dynamically manipulated with three-dimensional movement. Its variety is hard to believe that it was broadcast 17 years ago, and it can also be considered as the latest broadcast in 2019. The degree of cutting is closer to spectacle than to intense zooming, which seems to be a little different from the fan mentality, but the quality is perfect for official release. The show depicted with such visual beauty is truly a “rock monster”. The basics of the set are similar as they are coming back to Japan for four and a half months, but from the opening they are surprised by “Back In The Saddle” which was not played in “Japan #1”. Let’s organize the set here. ●70’s (7 songs)・AEROSMITH: Mama Kin/Dream On・TOYS IN THE ATTIC: Walk This Way/Sweet Emotion・ROCKS: Back In The Saddle・DRAW THE LINE: Draw The Line・Others: Stop Messin’ Around● Geffen era (4 songs)・PUMP: Love in an Elevator/What It Takes・GET A GRIP: Cryin’/Livin’ on the Edge●Second Columbia era (6 songs)・NINE LIVES: Pink・JUST PUSH PLAY: Just Push Play/Jaded ・Others: I Don’t Want To Miss A Thing/Theme From Spiderman/Girls Of Summer…and so on. While distributing the three eras in a well-balanced manner, they will also perform “Girls Of Summer”, which will become the title of their subsequent tour, “Just Push Play”, which was exclusive to that time, and even the theme of “Spider-Man”, which they covered in May before their return to Japan ( There was also one song co-starred with a Japanese music unit at this show, but it is not included in this work). In particular, “Theme From Spiderman” has been confirmed to be played only three times including this day, and you can enjoy this extremely rare number in the super-super quality of the official level. And that performance is Yokozuna class. It wouldn’t be strange if things had slowed down in the months since the tour ended, but AEROSMITH is a battle-hardened band. Even when he suddenly stands on a big stage in front of about 50,000 people, it is as if he has been performing every night. In front of “Mama Kin”, Steven Tyler is able to show off the word “Win” written on his left shoulder. [An even more luxurious AEROSMITH special program is also included as a bonus] In addition, this work also includes a bonus bonus of the valuable TV special program “MUSIC VIDEO SPECIAL”. This was a uniquely Japanese program produced at the time, starring Steven Tyler, Joe Perry, and Tom Hamilton. This is a look back at history based on interviews with three people. The story begins when they met and formed AEROSMITH, the bands that influenced them at the time, their rise to success step by step, and their comeback at Geffen. And the glory of those days, performing at the World Cup and Super Bowl, and winning a Grammy Award… Their journey will be told in the words of the people involved. Of course, what colors these interviews are historical footage. Although it is not a complete performance, clips of nine songs are inserted from “Dream On” to the new song “Girls Of Summer”. The program itself is about 25 minutes long, but it’s a bit of a history video. AEROSMITH made Jon Bon Jovi say, “I’d be satisfied if I could sell half as many sales in half the career that they did.” In 2002, they were brought back to Japan just a few months after their four-dome tour and welcomed them to a major national event. Even in the long-running AEROSMITH and Japan’s honeymoon, it is a super masterpiece where you can enjoy the show that can be said to be the pinnacle in the highest quality. A major entertainment show by a monster band that has become part of “rock history.” Live at Tokyo Stadium, Tokyo, Japan 27th June 2002 PRO-SHOT(UPGRADE) Broadcast Date: 13th August 2002(113:10) 1. Back In The Saddle 2. Love In An Elevator 3. Just Push Play 4. Jaded 5. Mama Kin 6. Pink 7. Girls Of Summer 8. Stop Missin’ Around 9. Dream On 10. Draw The Line 11. I Don’t Want To Miss A Thing 12. Cryin’ 13. Walk This Way 14. Sweet Emotion 15 Theme From Spiderman 16. What It Takes 17. Livin’ On The Edge Music Video Special Feat. Interviews with Steven Tyler, Joe Perry, Tom Hamilton 18. Intro 19. Interview 20. Sweet Emotion 21. Interview 22. Dream On 23. Interview 24. Dude (Looks Like A Lady) 25. Interview 26. Angel 27. Interview 28. Janie’s Got A Gun 29. Livin’ On The Edge 30. Interview 31. Pink 32. I Don’t Want To Miss A Thing 33 Interview 34. Girls Of Summer Steven Tyler – vocals, harmonica, percussion Joe Perry – guitar, vocals Brad Whitford – guitar Tom Hamilton – bass Joey Kramer – drums, percussion PRO-SHOT COLOUR NTSC Approx.113min.