Aerosmith/Tokyo,Japan 09.20.1990 Complete Soundboard Edition

They produced a great masterpiece that was praised as “the best masterpiece after the revival” and also carried out a huge world tour. AEROSMITH in the “PUMP” era was right in the middle of the peak. A soundboard album that will pour the Japanese performance into your brain is here. This work permanently preserves the “September 20, 1990: Nippon Budokan” performance. This is a stereo soundboard recording. Speaking of professional records of the “PUMP Tour”, masterpieces such as the 50th anniversary official video “LANDOVER 1989” and the soundboard album of the Swiss performance “WINTERTHUR MUSIKFESTWOCHEN FESTIVAL 1990” are familiar. First of all, let’s take a bird’s-eye view of the glorious tour overview and check the positional relationship of each. 1989《Pump released on September 12th》・October 18th – November 26th: Europe #1 (26 performances)・December 15th – 31st: North America #1a (10 performances) ←※LANDOVER 1989 1990・January 1st – March 31st: North America #1b (45 performances)・April 17th – May 28th: ​​North America #2 (28 performances)・June 17th – July 28th: ​​North America #3 (29 performances)・August 15th – September 3rd: Europe #2 (10 performances) ←※Switzerland SBD・September 8th: Las Vegas performance・September 12th – 22nd: Japan (7 performances) ←★Here★・September 29th – October 15th: Australia (8 performances)This is AEROSMITH in 1989/1990. The “PERMANENT VACATION Tour” was limited to North America and Japan, but the “PUMP Tour” was a literal world tour including Europe and Australia for the first time. The performance in Japan was the final day of the 3-day Nippon Budokan, and this work was recorded. It was the sixth of the seven performances on the Japan tour, Cosart. Such a show is also known for leaving a powerful sound board, and this work is its best master. It was brought about by the same unique route as “WINTERTHUR MUSIKFESTWOCHEN FESTIVAL 1990”, and is a superb product directly connected to the mix table. The balance where you can hardly hear the cheers and the vividness of the recording are hard to say that they are “completely official class!”, but that is not a drawback but a beauty. Rather, for a worn-out soundboard enthusiast, the immersive feeling that cannot be experienced with an official work is irreplaceable. Unfortunately (as with the conventional master), “Voodoo Medicine Man” becomes a little unstable and generates noise, but that is the truth of the on-site mix. It is the real thing of the leaked sound board. Such a super-synchronized sound board depicts a full show that has reached the peak in both popularity and ability. The set is different from the aforementioned “WINTERTHUR MUSIKFESTWOCHEN FESTIVAL 1990”, so let’s compare and organize it here. Geffen era (9 songs) Permanent Vacation: Rag Doll/Permanent Vacation (*)/Dude (Looks Like a Lady) Pump: Young Lust/F.I.N.E./Monkey On My Back/The Other Side/Janie’s Got a Gun/Voodoo Medicine Man (*) Classics (9 songs) Beast’s Birth: Mama Kin/One Way Street/Dream On Others: Train Kept a Rollin’/Back In The Saddle (★)/Sweet Emotion/Red House/Last Child (★)/Draw The Line *Note: The “★” mark indicates songs that were not heard on the soundboard album “WINTERTHUR MUSIKFESTWOCHEN FESTIVAL 1990 (Zodiac 574)”. The “*” mark indicates songs that were not played after the “PUMP Tour”. …And so on. In the Swiss performance SBD, the latest hits from the Geffen era were emphasized, but in Japan, it was half classics and half. The number of “ROCKS” numbers was increased. Of course, there was plenty of “PUMP Tour”-likeness, especially the two songs “Permanent Vacation” and “Voodoo Medicine Man” are repertoires unique to that time that were not played on subsequent tours. The previous masterpiece “WINTERTHUR MUSIKFESTWOCHEN FESTIVAL 1990” was attractive for its polished sound of the official work level, but this work is overwhelming in its unprocessed reality and intense immersion. Although it is a sound board from the same period, it is a new masterpiece full of completely different pleasures. The pleasure of synchronizing the whole body with the climax of the Japanese performance. Stereo sound board recording of the “September 20, 1990: Nippon Budokan” performance. This is the best master brought by our own route, and is a superb product of the direct connection to the mix table. The sense of synchronization between the whole body and live performance, which cannot be experienced in official works, is tremendous, and you can enjoy repertoires that cannot be heard on the masterpiece “WINTERTHUR MUSIKFESTWOCHEN FESTIVAL 1990” such as “Back In The Saddle” and “Last Child”. It is a pleasure board that pours the Japanese performance of the “PUMP” era directly into your brain. Budokan, Tokyo, Japan 20th September 1990 STEREO SBD UPGRADE (47:15) 1. The Train Kept A-Rollin’ 2. Young Lust 3. F.I.N.E. 4. Monkey on My Back 5. The Other Side 6. Back in the Saddle 7. Janie’s Got a Gun 8. Sweet Emotion 9. Red House Disc:2 (45:15) 1. Last Child 2. Voodoo Medicine Man 3. Draw the Line 4. Rag Doll 5. Permanent Vacation 6. Mama Kin 7. Dude (Looks Like a Lady) 8. One Way Street 9. Dream On Steven Tyler – Vocals Joe Perry – Guitar Brad Whitford – Guitar Tom Hamilton – Bass Joey Kramer – Drums STEREO SOUNDBOARD RECORDING