Aerosmith/Osaka,Japan 1990

The “PUMP” era, which exploded with “showing off its true potential!” even during the GEFFEN era that swept the world, has been decided to release the best footage of that Japan performance. This work contains the “September 12, 1990: Osaka Castle Hall” performance. First, let’s check the full picture of “PUMP JAPAN TOUR 1990”. September 12: Osaka Castle Hall [This work] September 14: Aichi Prefectural Gymnasium September 16: Yokohama Arena September 17: Nippon Budokan September 19: Nippon Budokan September 20: Nippon Budokan September 22: National Yoyogi Stadium First Gymnasium All 7 performances. This work is a shot of the audience on the first day full of momentum. The quality is… amazing. Putting aside the awesomeness for a moment, let’s start with the standard spec talk, this work was shot from the stand on the right side of the stage (Joe Perry side). There is no angle, and he looks directly at the stage from the same height as the members. There are no shadows such as the arms or heads of the front row, and AEROSMITH occupies the screen, making it an ultra-excellent field of vision. The master freshness is also excellent, there is no dubbing or aging, and not even a single white line noise can be found, let alone distortion. The color development is also very vivid, and the “1990 AEROSMITH” is projected as it was at the time, with the highest quality. Now, to the main topic. More than such excellent quality, the camera work is more vivid. Not only does he capture the highlights of the show one by one, but he is also familiar with the beats and progression of each song, and zooms in and out along with the music. This camera work is… yes, that feeling of MOTLEY CRUE’s masterpiece “OSAKA 1990” and GREAT WHITE’s “OSAKA 1990”! “Solo multi-camera”, “roller coaster angle”, “clack shot” and so on… that’s the acrobatic shot that could only be described with crazy descriptions. In fact, the information about the photographer has not been passed down to the present day, but there can’t be two or three people who can do such unique (and super quality) work. Although there is no proof, the quality and individuality itself of the footage loudly proclaims “that master!” And it’s irresistible that the star of the acrobatic shot is the popular AEROSMITH. It was also shot with MEGADETH, but AEROSMITH, whose beats are clear and “groovy”, suits them much better. He moves closer to Steven Tyler in time with every word of the lyrics, and zooms in on Joe Perry in line with every phrase. That dynamism makes the beat’s dynamism and AEROSMITH’s brilliance, which has once again shown its true colors, shine many times brighter… This is no longer just an audience shot, and it is a huge entertainment that is never possible even in the official version. I don’t know if this photographer is still active, but even if he continues, he would not be so active in shooting. This is the passion that was stirred up by facing AEROSMITH, who entered their golden age again. Even if you have the technique, you can’t achieve it without that excitement. In 1990, when video equipment was progressing, there was a shining AEROSMITH. Not only their performance, but everything exudes the scent of the era. A masterpiece that exudes the scent of the era. Live at Osaka-Jo Hall, Osaka, Japan 12th September 1990 AMAZING SHOT!! (99:50) 1. Introduction 2. Young Lust 3. F.I.N.E. 4. Monkey On My Back 5. The Other Side 6. Heart’s Done Time 7. Janie’s Got A Gun 8. Sweet Emotion 9. Red House 10. What It Takes 11. Angel 12. Voodoo Medicine Man 13. Rag Doll 14. Permanent Vacation 15. Mama Kin 16. Dude (Looks Like a Lady) 17. One Way Street 18. Dream On 19. Love In An Elevator 20. Walk This Way COLOR NTSC Approx.100min.