Description
The traditional super famous sound board that was also used in “LIVE! BOOTLEG” has been upgraded with the ultimate master. The traditional sound board was recorded “March 28, 1978 Boston performance”. “LIVE! BOOTLEG” was a “best of live album” edited by selecting takes from each performance of “DRAW THE LINE TOUR”, but “Toys In The Attic” was also adopted from this Boston performance. Furthermore, it was also broadcast on FM, and its FM soundboard has been loved as a classic for many years. It is exactly the “through version of LIVE! BOOTLEG”. In order to imagine the circumstances of that edition, let’s first check the show’s position from the tour schedule at the time. ●1977・June 21st-July 8th: North America #1 (11 performances)・August 13th-27th: Europe (7 performances)・September 28th-December 8th: North America #2a ( 19 performances)《“DRAW THE LINE” released on December 9》・December 10-27: North America #2b (6 performances) ●1978・January 7: Jackson performance・March 8-April 8th: North America #3 (12 performances) ←★Here★*・May 1st-26th: North America #4 (10 performances)・June 27th-August 9th: North America #5 (21 performances) This is Overall picture of “DRAW THE LINE TOUR”. Although this is not all stages in 1977/1978, the first visit to Japan in early 1977 is called “ROCKS TOUR”, and after September 1978 is called “LIVE! BOOTLEG TOUR”. Although the 1973 take was also adopted on the D side of “LIVE! BOOTLEG”, it was roughly selected from the above “North America #1, 3, 5”. Under such circumstances, the Boston performance of this work was the 8th concert of “North America #3”. As mentioned above, such a show is also famous for its FM broadcast, and it is a classic among the classics that has been upgraded countless times. And this work updates its highest peak. After all, the sauce is the ultimate. This is not an air check or even the original LP of the broadcast, but a 10.5-inch reel from the radio station “WBCN” that was treasured by a famous core collector. It is digitized directly from such an original master. Moreover, the company responsible for the digitization was Krw_co, a prestigious excavation company. If the master is the ultimate, his digitization skills are also recognized by enthusiasts around the world. In fact, this work uses sound to illuminate its origins. Anyway, the intense freshness with no dubbing marks and no deterioration is amazing. The broadcast master recording, which was the highest peak so far, was completely official, but this work is even more vivid and brilliant. Although it is a power sound with a slightly emphasized attack, it is a unique characteristic from the original recording, and as you know if you have listened to the previous releases. In this work, the power is clear to every corner of the outline without any cloudiness or turbidity, and the glaring line sound shines brightly. However, even though “Krw_co” has a reputation for digitalization, the finishing touches are poor. In this work, the sound quality remains the same and the pitch is accurately corrected to achieve “extreme quality”. If the previous releases are completely official, this work is as vivid as the latest digital remastered version… No, it is no equalization, so it would be better to say “It’s like the official version of the latest live performance.” Maybe. What is depicted with such ultimate sound is the ultimate “through version LIVE! BOOTLEG”. Dangerous, mysterious, and extremely greasy, AEROSMITH in 1978 blew away the once-in-a-lifetime show, and the flow continues uninterrupted. Moreover, there are a lot of famous songs that you can’t listen to on “LIVE! BOOTLEG”. Let’s sort it out here. ●GET YOUR WINGS (4 songs)・Lord Of The Thighs/Train Kept a Rollin’・LIVE! Songs that cannot be heard on BOOTLEG: Seasons of Wither/Same Old Song and Dance ●TOYS IN THE ATTIC (4 songs)・Walk This Way /Sweet Emotion/Toys in the Attic・LIVE! Songs that cannot be heard on BOOTLEG: Big Ten Inch Record ●ROCKS (2 songs)・LIVE! Songs that cannot be heard on BOOTLEG: Rats In The Cellar/Get The Lead Out ●DRAW THE LINE ( 6 songs)・Sight For Sore Eyes/Draw The Line・LIVE! BOOTLEG Songs that cannot be heard: I Wanna Know Why/Kings And Queens/Get It Up/Milk Cow Blues ●Other・Chip Away the Stone [LIVE! BOOTLEG]… …and it looks like this. There would be no end to it if I kept writing “○○, △△, and ◇◇ that can’t be heard on LIVE! BOOTLEG…”. All 17 songs in this work are played in quick succession with minimal MC, but more than half of them do not overlap with the traditional official version. There’s no need to say much about this show anymore. Even if you repeat your compliments, people will think that you already know that. However, even if you know about his passionate performance and great performance, you probably don’t know about this sound. That super famous recording has achieved a major upgrade of a dimension that is impossible with remastering. The ultimate quality board of the most famous sound board from the most shining era. A treasure of rock history was born. (Remaster Memo) ★Corrected the pitch that was slightly higher than 40% of a semitone and increased the sound pressure. ★Sound quality is excellent to begin with, so leave it as is Live at Music Hall, Boston, MA, USA 28th March 1978 STEREO SBD Taken from WBCN FM Broadcast 10.5″ Reel Master (79:58) 1. WBCN Intro 2. Rats In The Cellar 3. I Wanna Know Why 4. Big Ten Inch Record 5. Walk This Way 6. Sight For Sore Eyes 7. Seasons Of Wither 8. Sweet Emotion 9. Lord Of The Thighs 10. Kings And Queens 11. Chip Away The Stone 12. Get The Lead Out 13. Get It Up 14. Draw The Line 15. Same Old Song and Dance 16. Toys In The Attic 17. Milk Cow Blues 18. Train Kept A Rollin’ Steven Tyler – lead vocals, harmonica, percussion Joe Perry – guitar , backing vocals Brad Whitford – guitar Tom Hamilton – bass Joey Kramer – drums, percussion STEREO SOUNDBOARD RECORDING
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