Accept/Germany 9.1.1984

ACCEPT’s famous album “MONSTERS OF ROCK 1984” that has everyone in attendance is also very popular. Introducing the finest masterpiece, which is also its sister edition. What is engraved in this work is “September 1, 1984 Karlsruhe performance”. This is a superb audience recording recorded during the West Germany edition of the “MONSTERS OF ROCK Tour”, which is different from the masterpiece “MONSTERS OF ROCK 1984”. Recently, not only ACCEPT but also MOTLEY CRUE, Ozzy Osbourne, etc. have been releasing masterpieces of MOR in 1984, but ACCEPT did not participate in all dates. Let’s take a look back at an overview of the “MOR Tour” in order to understand the situation around it. ・August 18: Donington ← *MONSTERS OF ROCK 1984 ×August 25: Stockholm (only 3 groups: not participating in ACCEPT) ×August 31: Winterthur (only 3 groups: not participating in ACCEPT)・September 1: Karlsruhe　←★This work★・September 2nd: Nuremberg ×September 5th: Rome (only 2 groups: not participating in ACCEPT) ×September 7th: Turin (only 2 groups: not participating in ACCEPT) In total, 7 performances. Only the major acts AC/DC and MOTLEY CRUE participated in the entire schedule, and VAN HALEN was also added in Sweden and Switzerland. The only performances that were held in full 7 groups were Donington in the UK and 2 performances in West Germany (some materials do not count Switzerland and Italy as MOR). Of course, ACCEPT participated in only three performances, and the Karlsruhe performance of this work is the second performance after the sacred place Donington. It was about a three and a half hour drive from ACCEPT’s hometown of Solingen, making it the most “home” location. This work recorded at such a show is a top quality product that is rated “super” this time as well. As many of you may have already noticed, this is the latest release from the “G.Mann” collection, which is the same as the press edition “MONSTERS OF ROCK 1984,” which received great acclaim the other day. Since “MONSTERS OF ROCK 1984”, it has transcended the standard FM sound source and was considered to be the best masterpiece of G.Mann recording, but I was surprised that this work is not inferior. Because it is outdoors, it is extremely clear with zero echoes, and the sound emitted by the on-site PA is recorded exactly. The ultra-beautiful details, the extremely thick core like a rough rope, and the close contact with no sense of distance are intense. If I were to point out the differences with “MONSTERS OF ROCK 1984”, I would say that this work is a half-step in terms of smoothness, but on the other hand, this work is superior in terms of weight. In any case, this is a great recording that can be confidently declared to be “like a soundboard” and “superlative.” The super powerful and tight sound is a great performance by a local artist. The set is the same as the Donnington edition, but let’s rearrange it here just in case.・Breaker: Son Of A Bitch ・Restless & Wild: Fast As A Shark/Restless & Wild/Princess Of The Dawn ・Balls To The Wall: Love Child/Turn Me On/London Leatherboys/Balls To The Wall… and it looks like this. Approximately 50 minutes, half of which is the masterpiece “BALLS TO THE WALL”, which is also the latest work. Three months ago, they went on the biggest US tour of their career, so the scale of the ensemble has grown significantly, and their well-trained sense of unity is amazing. The production of “METAL HEART” begins the month after this work, and you can enjoy the essence of “BREAKER”, “RESTLESS AND WILD”, and “BALLS TO THE WALL” with that steel band potential. What’s more, this work has an exquisite sense of triumphant return because it’s local. In addition to the majesty of the performance itself, the mood at the scene was extremely glorious. Starting with “Princess Of The Dawn”, the huge chorus of German bastards everywhere is huge. And Udo Dirkschneider’s MC. They speak German only to the locals. Although I don’t know much about the story, I can’t really understand the story, but the rough pronunciation and the audience’s reaction to it are hilarious, and the enthusiasm that greets the local hero who has returned from the invasion of the world is amazing. It is a live album that emits a different sense of exhilaration (densely) from the Donnington edition that challenges the authentic UK. This is a sister edition by the same recording artist as the Donnington edition “MONSTERS OF ROCK 1984”, which became a rare masterpiece. Superb audience recording of “September 1, 1984 Karlsruhe Performance”. This is the West German version by the same recording artist as the famous album “MONSTERS OF ROCK 1984”, and this time it is also a top quality album with a “super” rating. The clearness with zero repercussions is amazing because it is outdoors, and the details are extremely beautiful, the core is as thick as a rough rope, and the sense of close contact with no sense of distance is intense. The show is a 50-minute condensation of the essence of “BREAKER” to “BALLS TO THE WALL,” and the atmosphere is perfect, with a big chorus welcoming local heroes and a German MC. Wildparkstadion, Karlsruhe, Germany 1st September 1984 ULTIMATE SOUND (48:21) 1. Intro 2. Fast As A Shark 3. Restless And Wild 4. Lovechild 5. Turn Me On 6. Princess Of The Dawn 7. Wolf’s Guitar Solo 8. Son Of A Bitch 9. London Leatherboys 10. Balls To The Wall Udo Dirkschneider – vocals Herman Frank – guitar Wolf Hoffmann – guitar Peter Baltes – bass Stefan Kaufmann -drums