Description
Shock!! First appearance – Japan performance soundboard!!! An incredible, unreleased soundboard has been newly unearthed through a unique route! The shock of the show will shock collectors all over the world and will be released as a permanent 2CD urgent release!! Engraved into this work is an unexpected live performance in Japan. It is a superb stereo soundboard recording of the “April 24, 1988: National Yoyogi Stadium” performance. Speaking of her visit to Japan in 1988, it was her third visit and the first in 10 years. It was also her first visit without makeup. She visited Japan twice without makeup, and pro shots and soundboards have been unearthed on each occasion. This is a good opportunity, so let’s take a comprehensive look at her visit to Japan without makeup. 1988: “CRAZY NIGHTS Tour” ・April 16th: Nagoya City Public Hall ・April 18th: Osaka-jo Hall ・April 20th: Yokohama Cultural Gymnasium ・April 21st: Nippon Budokan *April 22nd: “BUDOKAN 1988” *April 24th: Yoyogi National Stadium ←★This work★ 1995: “KISS MY ASS Tour” ・January 24th: Osaka-jo Hall ・January 26th: Kyushu Welfare Pension Hall ・January 28th: Nagoya Century Hall ・January 30th: Nippon Budokan *January 31st: “DEFINITIVE BUDOKAN 1995” This was a live performance in Japan from the no-makeup era. Speaking of the 1988 “CRAZY NIGHTS Tour” in Japan, the ultimate pro shot “A CRAZY NIGHT WITH KISS: BUDOKAN 1988” reigns supreme as a major staple, but the Yoyogi performance of this work was next. It was also the final performance of the 1988 visit to Japan. This work, which conveys such a stage, is a shocking first appearance soundboard. It is an original master brought to us through our own route, but the sound is a superb “mix table direct connection system.” The level of quality itself can be called “official class,” but it cannot be called unique at all. The rawness of the shaken-out is tremendous, and the raw recording feeling is something that cannot be found in official products. The unprocessed feel of each instrument and each note is on a different level from the outflow soundboards out there, as if each instrument was plugged into your head one by one. Such a brain-synchro sound depicts a precious no-makeup era performance in Japan. The set is the same as the pro-shot “BUDOKAN 1988” from the previous day… but it’s actually slightly different. Let’s organize it by comparing. 70s (9 songs) KISS: Cold Gin / Black Diamond / Strutter (*) DESTROYER: I Was Made For Lovin’ You / Shout It Out Loud / Detroit Rock City (*) Others: Rock And Roll All Nite (*) / Calling Dr. Love / Love Gun 80s (10 songs) CRAZY NIGHTS: Bang Bang You / Crazy Crazy Nights / No, No, No / Reason To Live Others: War Machine / Tears Are Falling (★) / I Love It Loud / Fits Like A Glove / Lick It Up / Heaven’s On Fire *Note: “★” indicates songs that were not included in the pro-shot masterpiece “A CRAZY NIGHT WITH KISS: BUDOKAN 1988.” The “*” marks are audience recordings. …And so on. While covering all the songs from “BUDOKAN 1988,” even “Tears Are Falling” has been added. Enjoy plenty of ’80s numbers, especially in the no-makeup era. This newly excavated soundboard only recorded “Shout It Out Loud,” the final track of the main set. There were no encores after that. Therefore, this work complements the remaining “Strutter,” “Rock and Roll All Nite,” and “Detroit Rock City” with audience recordings from the same day. Moreover, this complementary audience sound source is also ultra-high-quality. The intensely clear atmosphere and the on-core core jump right into your hands. While there’s a sense of audience recording just after the superb soundboard, this is a masterpiece that no ordinary soundboard can match. While the complementary parts of audience recordings usually feel like “Well, that can’t be helped,” the complementary sound source of this work is so clear that it makes you think, “I want to listen to the whole thing with this sound, too.” Until now, the Japanese performances from the no-makeup era, which had been entrusted to the Budokan Pro Shot, have been relegated to this. A new must-listen album with even more masterpieces has been born. 37 years after the performance, who would have thought we’d encounter such a soundboard? How many hidden treasures still lie dormant on this planet? This is a new masterpiece that even inspires awe at the depths of archival culture. This is a superb stereo soundboard recording of the “April 24, 1988: National Yoyogi Stadium” performance. This is the first public recording unearthed through our own unique route, and the sound is superb, “directly connected to the mix table.” The raw, raw recording feel is simply impossible to find in an official product. The missed encore section is a complete version supplemented by the best audience recording on the same day, and you can also enjoy “Tears Are Falling”, which is not included in the standard pro shot “BUDOKAN 1988”. It is a new masterpiece that will shock collectors all over the world. Yoyogi Olympic Pool, Tokyo, Japan 24th April 1988 STEREO SBD(from Original Masters) Disc:1 (57:12) 1. Intro 2. Love Gun 3. Cold Gin 4. Bang Bang You 5. Calling Dr. Love 6. Fits Like a Glove 7. Crazy Crazy Nights 8. Bruce Kulick Guitar Solo 9. No No No 10. Reason to Live 11. Heaven’s on Fire 12. Eric Carr Drum Solo 13. War Machine Disc:2 (42:11) 1. Tears Are Falling 2. Gene Simmons Bass Solo 3. I Love It Loud 4. Lick It Up 5. Black Diamond 6. I Was Made for Lovin’ You 7. Shout It Out Loud 8. Strutter * 9. Rock and Roll All Nite * 10. Detroit Rock City * Paul Stanley – Vocal & Guitar Gene Simmons – Vocal & Bass Bruce Kulick – Guitar Eric Carr – Drums STEREO SOUNDBOARD RECORDING *Audience Recording
Reviews
There are no reviews yet.