Rolling Stones/MA,USA 1972 2 Source Ver.

The Antwerp performance was released in Europe in 1973, but the release from the Stones’ other peak, the 1972 US tour, will be realized. It was a two-day Boston performance in July. Although various CD items have been released for both shows for a long time, there were some pitch and equalization problems, and it was difficult to know which of the multiple sound sources was the best. It may be said that both days were unfortunate days despite the existence of very good audience recordings. First of all, the show on the 18th was also held strictly on the “19th”. It is a famous episode among maniacs, but the Stones, who held a show in Montreal, Canada the day before, entered the United States again on the 18th to head to Boston. However, when Keith, who was angry about being photographed during immigration, hit the paparazzi, he was arrested by the police in Providence. Furthermore, in order to protect Keith, Mick, Bobby Keys, and even Marshall Chess, who was the president of the Stones label at the time, volunteered to be arrested, and they were detained. Just before the first night in Boston, an unexpected situation occurred. The mayor of Boston became a savior. At the time, there were immigrant riots in the city, and if the Stones’ show did not take place, another riot could occur. The mayor then requested the Providence police to hand over the arrested members. As a result, the first show in Boston was successfully carried out, but after much fuss, the start time was late at night, and of course the date was changed to the 19th. In America, even if the start is delayed that much, the show still takes place. Keith also mentioned it as one of his unforgettable memories in his autobiography. There are two types of audience recordings of the first day in Boston, which began after going through all this confusion. First, “recorder 1” is stereo and has already been released on CDs such as the 2008 version of VGP’s “THEY’RE REALLY ROCKIN’ IN BOSTON” and SODD’s “THE GOLDEN ERA VOL.2”. “Recorder 2” includes items such as DAC “JAILHOUSE ROCK” and EXILE “MIDNIGHT GAMBLERS”. Both of these items were created over the past 10 years as master quality sound sources spread on the Internet, but the stereo recording “Recorder 1” wins in terms of quality. This time, we adopted that and reexamined the problems to make it into a CD. For details, please see a separate section, but the biggest point is that it is much more natural than the previously released version, and above all, it was recorded in a very stable state. In particular, the muffled and distortion in the left channel was eliminated, making it easier to hear at once, and the stereo feeling that the sound source originally had became even more enjoyable. Even the pitch was precisely adjusted. Due to the recording time limit and the fact that it was unrelated to the performance, the scene where the venue explained the situation that the start of the performance was delayed was cut this time, but the original was a stereo recording with a very warm texture, and the performance and Mick’s vocals were further polished even though they were surrounded by echo. Immediately after the show started, the sound was muffled due to the sound output problem at the venue, but it was quickly resolved and the sound quality from “Bitch” was powerful. The stereo audience in the same year 1972 did not reach the clarity of Charlotte, but it was still very enjoyable. Although it was the first day in Boston, which was realized after the confusion, the performance was undoubtedly high voltage, as it started from the time when the unhealthy band (lol) was most lively. Before “Rocks Off”, Mick himself apologized for his late arrival and explained that he had been detained, but Mick sang intensely as if to relieve his sadness. Furthermore, if you say that Philadelphia and Pittsburgh were waiting after Boston, you can understand the momentum of the performance for the maniacs. The performance of the first half of “Midnight Rambler”, which was literally played late at night, was also a sign of the unhealthy band. However, perhaps because of the momentum of Mick’s runaway, Keith’s order was wrong during the member introduction, which was a bit awkward. In other words, speaking of 1972 America, it is customary for him to start playing the intro to “Bye Bye Johnny” immediately after the introduction of “Keith Richards, on guitar”, but due to the mistake, “Bye Bye~” starts with the introduction of “Mick Taylor, on guitar”, which is a very rare pattern. If you are a fan of the 1972 tour, this scene is a must-see! And on this day, “Honky Tonk Women”, which was rare on the 1972 tour, is played at the end, but this may have been an apology for the delayed start and a service to the fans. After the show, the familiar greeting by Bill Graham is also recorded. There are two types of monaural audience recordings for the second day (the real 19th performance), but the more popular one at present is probably “recorder 2”, which has been released as a DAC version and an EXILE version, which were introduced in the previous day’s sound source. The first to know about the performance on this day was “recorder 1” recorded under the title “GINSOAKED BARROOM QUEEN IN BOSTON” released by WEEPING GOAT. Both sources are audience recordings with a slightly distant sound image, but “recorder 1” is rougher but slightly on. However, this has the drawback of recording up to “You Can’t Always Get What You Want”, and in fact, “GINSOAKED BARROOM QUEEN IN BOSTON” also connected the gene-dropped copy of “recorder 2” after that. So this time, it was recorded on “recorder 2”, which has been popular in recent years. However, by adopting the upper version copy this time, the freshness has improved dramatically compared to the previous release. The ease of listening has been improved by properly adjusting what was originally distributed at a high pitch, and by properly applying phase correction and band adjustment. The previous day was a spectacular show in every sense, but the high-voltage and thrilling rock and roll show is still alive and well on this day. Moreover, the highlights are concentrated in the parts captured by “recorder 2”. Mick is still in a hyper mood, and finally, in “Rocks Off”, he gets too excited and misses the timing of the development section (the “Feel so hypnotized…” part), and ends up singing the chorus again. It seems that Charlie and the band were naturally going to enter the development section, but it’s interesting to see the horn section desperately following Mick and getting away with it. On the other hand, in “Gimme Shelter”, Mick starts the ending shout, but the performance ends early. In the movie “CROSSFIRE HURRICANE”, there is a scene where Mick uses a knife to openly smoke cocaine in the dressing room before the show starts on the 1972 tour, and that’s why the flying Mick (and several other members) and the band are out of sync. More than that, the hyper performance that goes ahead without caring about the happenings is the 1972 American tour. Making full use of sound sources that were overlooked in both shows, it is a fresh and attractive best version. 18th Sound source type Recorder 1… Stereo Aud. Already released VGP-020 (2008 version), SODD, etc. Recorder 2… Mono Aud. Already released DAC-026, New Tara, etc. (commonly known as Joe Maloney sound source) 19th Sound source type Recorder 1… Mono Aud. Already released is the Weeping Goat board, and Rec 1 only contains the beginning of the live show and the middle of You Can’t Always Get What You Want. Recorder 2… Mono Aud. Already released DAC-026, EXILE, etc. It is a recording of the entire live show, but there is a cut between songs before the member introduction after the Rambler performance. (All previously released tracks have cuts between songs) Live at Boston Garden, Boston, Massachusetts, USA 18th & 19th July 1972 Disc 1 18th Stereo Live at Boston Garden, Boston, Massachusetts, USA 18th July 1972 (79:52) 01. Introduction 02. Brown Sugar 03. Bitch 04. Rocks Off 05. Gimme Shelter 06. Happy 07. Tumbling Dice 08. Love In Vain 09. Sweet Virginia 10. You Can’t Always Get What You Want ★The cut section of the MC from the end of the performance to the end of the performance, 7:28-7:45, has been filled in with a different source from the same day. 11. All Down The Line 12. Midnight Rambler 13. Band Introductions 14. Bye Bye Johnny 15. Rip This Joint 16. Jumping Jack Flash 17. Street Fighting Man 18. Honky Tonk Women Disc 2 19th Mono (79:34) 01. Introduction 02. Brown Sugar 03. Bitch 04. Rocks Off 05. Gimme Shelter 06. Happy 07. Tumbling Dice 08. Love In Vain 09. Sweet Virginia 10. You Can’t Always Get What You Want 11. All Down The Line 12. Midnight Rambler ★There is a cut between songs before the member introductions after the performance, and it is edited smoothly with crossfades. 13. Band Introductions 14. Bye Bye Johnny 15. Rip This Joint 16. Jumping Jack Flash 17. Street Fighting Man