Aerosmith/Tokyo,Japan 2002

In 2002, they came to Japan twice in one year. A superb multi-camera pro shot of the live in Japan at the height of their popularity has been decided to be released. This work contains the performance “June 27, 2002: Tokyo Stadium (now Ajinomoto Stadium)”. As I said earlier, “They came to Japan twice in one year,” but this work is the second time. Let’s imagine it from the full tour schedule of the “JUST PUSH PLAY” era.・June 6, 2001 – January 17, 2002: North America #1 (71 performances) ・January 25, 2002 – February 3, 2002: Japan #1 (6 performances) 《About 2 months later》・April 14, 2002: Appearance on MTV Icon 《About 2 months later》・June 27, 2002: Japan #2 (1 performance) 【This work】 《About 2 months later》・August 13, 2002 – December 21, 2002: North America #2 (51 performances) Although it’s been compressed quite a bit, this is the live performance from the “JUST PUSH PLAY” era. “North America #1 + Japan #1” is “JUST PUSH PLAY TOUR” and “North America #2” is “GIRLS OF SUMMER TOUR”. The Tokyo Stadium performance in this work was a special performance that was the official concert of the “2002 FIFA World Cup” that took place in between. Also, there were about four and a half months between “Japan #1” and “Japan #2”, but the only appearance in between was on MTV. It was an unusual visit to Japan, like a “continuation of the Japan performance” with a gap. This work is a recording of the television broadcast at that time. As it is involved in a historical sporting event, its quality is strong even among the many professional shots. It is definitely an official specification, and the huge scale, luxurious camera work, and ironclad sound mix are all national anthem prestige class. For example, even a slight angle across the spectator seats filling the large venue is dynamically licked with three-dimensional movement. The amount of cutting is closer to the spectacle than the fierce zoom, which seems a little different from the fan psychology, but the quality is perfect and can be officially released. The show depicted with such visual beauty is truly a “monster of rock”. Since it is a return visit to Japan for four and a half months, the basis of the set is similar, but there are some ingenuity such as starting with “Back In The Saddle”, which was not played in “Japan #1”. In addition, they will also perform “Girls Of Summer”, which will become the title of their subsequent tour, and “Theme From Spiderman”, which they covered in May before their return to Japan (in fact, the highlight of this show was a collaboration with a Japanese music unit that was realized during the encore, but it is not included in this work). And the performance is Yokozuna class. It would not be strange if they had become dull in the few months since the end of the tour, but that is AEROSMITH, who is a veteran of hundreds of battles. Even when they suddenly stood on a big stage in front of about 50,000 people, it was as if they had been performing every night. In front of “Mama Kin”, Steven Tyler was so relaxed that he showed off the word “Sure Win” written in large letters on his left shoulder. AEROSMITH made Jon Bon Jovi say, “I’d be satisfied if we could sell half as much with half the career they have.” Japan in 2002, when they were called back just a few months after their four-dome tour and welcomed them to a major national event in Japan. This is a masterpiece that allows you to enjoy the highest quality show of AEROSMITH’s long honeymoon with Japan. A huge entertainment show by a monster band that has become one with “rock history”. Live at Tokyo Stadium, Tokyo, Japan 27th June 2002 PRO-SHOT 1. Intro. 2. Back In The Saddle 3. Love In An Elevator 4. Just Push Play 5. Jaded 6. Mama Kin 7. Pink 8. Girls Of Summer 9. Stop Missin’ Around 10. Dream On 11. Draw The Line 12. I Don’t Want To Miss A Thing 13. Cryin’ 14. Walk This Way 15. Sweet Emotion 16. Theme From Spiderman 17. What It Takes 18. Livin’ On The Edge PRO-SHOT COLOUR NTSC Approx.88min.