Description
The four major dome tours of 2002 were held with “JUST PUSH PLAY”. A masterpiece of a live album that tells the truth is here. This work includes “January 25, 2002: Osaka Dome performance”. There were two visits to Japan this year, in January and June, but this work is the January one. First, let’s check the full details of the 2002 visit to Japan. ・January 25: Osaka Dome [This work] ・January 27: Osaka Dome ・January 29: Fukuoka Dome ・January 31: Nagoya Dome ・February 2: Tokyo Dome ・February 3: Tokyo Dome {4 months later} ・June 27: Tokyo Stadium In this way, the Osaka performance of this work was also the first day of “JUST PUSH PLAY JAPAN TOUR 2002”. This work has a truly wonderful audience sound. When you think of a huge dome audience recording, you might imagine a blurry sound, but this work is the exact opposite. Each instrument reaches the fine details clearly and directly, so vivid that you wouldn’t notice it was a dome unless you were told. Although the sound of the audience recording varies greatly in taste, this work is so clear that some people think, “Maybe it’s too sharp for some people?” The person who made the recording that is almost away from the dome (the audience noise is not dome-like either) is a familiar master at our shop. He is a famous recording artist who was a master in Osaka from the 1990s to the early 2000s, and is a legend who has produced a series of masterpieces that can only be called “Osaka’s master”. His ability is shown by his previous lineup. To list them simply, RAINBOW’s “OSAKA 1995 1ST NIGHT”, AC/DC’s “OSAKA 2001”, SYKES’s “OSAKA 1998”, and YNGWIE MALMSTEEN’s “OSAKA 2002” … …. Recently, BON JOVI’s “OSAKA 2003 1ST NIGHT” has also been very well received. This work is the latest in the Takumi Collection, and it is a particularly edgy and clear recording among his collections. The sound depicts Yokozuna Sumo, a “monster band” of the modern era. In front of “Big Ten Inch Record”, Steven Tyler asks “New AEROSMITH? Old AEROSMITH?”, but the axis of the set is the golden 70s. The blues “Stop Messin’ Around”, which will be included in the next work “HONKIN’ ON BOBO”, is also performed, and the good old rock and roll is comfortable enough to fit in, and the “70s rate” increases as the show progresses. However, it is not only classics. The new work “JUST PUSH PLAY” and hit songs from the GEFFEN era are also performed in abundance, and “I Don’t Want To Miss A Thing” can also be heard. The official album “ROCKIN’ THE JOINT” was also released from this tour, but there are a ton of songs that you can’t hear there…or rather, there are almost no overlaps. In fact, 14 of the 24 songs are different repertoires from “ROCKIN’ THE JOINT”. Among them, the rare ones are the new songs at the time, “Just Push Play”, “Light Inside”, and “Drop Dead Gorgeous”. These three songs were only played on tour, and the latter two in particular were last performed in Japan. Now it’s a rare repertoire that even makes me nostalgic. Looking back, AEROSMITH was the only “monster” at the time. Speaking of 2002, it’s memorable that GUNS N’ ROSES, with only Axel, came to Japan for the first time in a long time, but the reason it was such a shock was because there were no other big bands. MOTLEY CRUE went silent after a slump, and VAN HALEN was closed. In that situation, there was no one other than AEROSMITH who showed off the original members and continued to heat up the four major domes. A show that shows off its dignity and immovable bigness. This is a masterpiece live album that shows off that truth with 100% real sound. Live at Osaka Dome, Osaka, Japan 25th January 2002 PERFECT SOUND(from Original Masters) Disc 1(65:58) 1. Intro. 2. Beyond Beautiful 3. Love In An Elevator 4. Just Push Play 5. Jaded 6. Big Ten Inch Record 7. Pink 8. Monkey On My Back 9. Sick As A Dog 10. Mama Kin 11. Light Inside 12. Dream On 13. Drop Dead Gorgeous 14. Stop Messin’ Around Disc 2(61:56) 1. Draw the Line 2. Seasons of Wither 3. I Don’t Want to Miss a Thing 4. Cryin’ 5. Mother Popcorn 6. Walk This Way 7. Uncle Salty 8. Sweet Emotion 9. Livin’ On The Edge 10. What It Takes 11. Train Kept A-Rollin’
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