Description
“LIVE AID” is the biggest event of the 20th century…no, the biggest event in the history of human music. The best pro shot that vividly revives that day that colored the summer of 1985 has been decided to be released. This work is the first in which you can re-experience everything from the prime time opening scene to Bryan Ferry’s appearance around the time the date changes. We have introduced many professional shots of “LIVE AID” so far, but this work is different. This event was broadcast live all over the world, but this work is the Japanese broadcast version. This work is the first installment. However, it is not a complete broadcast. The main broadcast was a long one, lasting about 16 hours, but this work is a selection of only “Western music” from that time. CMs inserted directly into the show, chatting with talent in the station’s studio, Japanese musicians on stage, etc. are eliminated as much as possible (although you can see some members of the Heisei Board of Education). The scene where I thought at the time, “Okay, let’s show a live performance with outside sauce!” has been removed, and now we can look back on that hot day with only delicious scenes. [The first installment has a wonderful real-time feeling that progresses from the opening scene] The biggest point of this work is the reality of “July 13, 1985”, and the quality of depicting it is also excellent. At our store, we have archived a number of music programs with the super best masters provided by domestic record enthusiasts, and this work is also the latest. Since then, this maniac has pursued high-end equipment and environment, and is a real man who pays close attention to the state of preservation of his masters. Its quality has been proven in many masterpiece programs, but this work is one of the special ones. Currently, recording masters of “LIVE AID” have been reported from all over the world, but the quality of this work is outstanding. Despite the era when there is no digital broadcasting, it is a visual beauty that even comes close to the official DVD. Well, now that we’ve covered the basics, let’s move on to the main topic. This is already too wonderful. This work is the first of a total of four works, and contains 11 sets. Individually, I think many people choose their favorite band/musician. Let’s briefly summarize the contents of this work. ○20:01／STATUS QUO ○20:19／THE STYLE COUNCIL ○20:44／THE BOOMTOWN RATS ○21:17／ULTRAVOX ★22:01／Joan Baez ★22:45／Billy Ocean ★22:55／ BLACK SABBATH ○22:07/Elvis Costello ○23:18/Sting & Phil Collins ★22:32/FOUR TOPS ○0:08/Bryan Ferry (with Dave Gilmour) *Note: “○” indicates UK Wembley Stadium, “★” is JFK Stadium in the United States. The numbers are the start times of the show, Japan time. ●Others: Participation via satellite broadcast MEN AT WORK (Australian performance) B.B. King (Netherlands performance) …and so on. As you know, “LIVE AID” is held simultaneously at two locations: “Wembley Stadium in the UK” and “JFK Stadium in the US”, and the event is broadcast live while being mixed up. Initially, it started at 12:00 noon in the UK, but at that time it started at 20:00 at night in Japan. In the list above, each show’s start time (Japan time). As you can see, this work includes everything from the opening scene to Bryan Ferry, who appeared late at night when the date changed. However, not all of them are live broadcasts from Britain and the United States; MEN AT WORK and B.B. King are satellite broadcasts from other countries, and Elvis Costello and FOUR TOPS seem to be recorded broadcasts, so the order has been changed. The real-time feel of STATUS QUO and BLACK SABBATH being broadcast during prime time brings back memories of summer 34 years ago, but the content is also unique to Nippon Broadcasting. Not only Billy Ocean and FOUR TOPS, but also each band / artist has a lot of famous songs that can not be seen on the official DVD, but even more, the live broadcast feeling at that time is irresistible. I still feel nostalgic about THE BOOMTOWN RATS’ “Drag Me Down” being mistaken for “Rat Trap” and ULTRAVOX’s stage being cut off in the middle of “One Small Day.” and Joan Baez, introduced by Jack Nicholson. “Good morning, everyone around the world,” he began, but although it was 9 a.m. at JFK Stadium, it was 10 p.m. in Japan. This feeling of satellite broadcasting brings back the excitement of experiencing the events of the century at the same time. What’s more, the simultaneous interpretation heard here is also wonderful. The program uses different interpreters for men and women, but the female interpreters are overwhelmingly talented. Even when Joan Baez gave a long speech about the significance of the event, she translated it into Japanese without hesitation, as if she had a manuscript written in advance. All the while, Jaune continues to speak rapidly. On the other hand, male interpreters are unable to keep up, saying things that don’t need to be translated, such as “Hello, everyone.” Being overwhelmed by the professional skills of such female interpreters is one of the great pleasures of live broadcasting, which is unique to Nippon Broadcasting. “LIVE AID” is once again attracting attention due to the QUEEN movie “Bohemian Rhapsody.” However, even without the movie, it would still have been the biggest event of the 20th century. No, the 1980s was the era when popular music was at its peak in human history. In other words, “LIVE AID” was the largest music festival in human history. A masterpiece that allows you to experience the events of the century in real time. Wembley Stadium, London, UK / JFK Stadium, Philadelphia, USA 13th July 1985 1. Coldstream Guards “Royal Salute” Status Quo 2. Rockin’ All Over The World 3. Caroline The Style Council 4. You’re The Best Thing 5. Big Boss Groove The Boomtown Rats 6. I Don’t Like Mondays 7. Drag Me Down Mistakenly Called Rat Trap Men At Work Australian Satellite Broadcasting 8. Overkill Ultravox 9. Reap The Wild Wind 10. Dancing With Tears In My Eyes 11. One Small Day cuts off midway through and is shown in the studio Joan Baez Interpreter – Very good female translator – the best 12. Jack Nicolson Introduction 13. Amazing Grace B.B. King Satellite broadcast from the Netherlands 14. Why I Sing The Blues / Don’t Answer The Door Billy Ocean 15 Caribbean Queen 16. Loverboy Black Sabbath 17. Children Of The Grave 18. Iron Man 19. Paranoid Elvis Costello 20. All You Need Is Love Sting & Phil Collins 21. Roxanne 22. Against All Odds (Take a Look at Me Now) 23. Message In A Bottle 24. In The Air Tonight 25. Long Long Way To Go Four Tops 26. It’s The Same Old Song 27. Reach Out I’ll Be There 28. I Can’t Help Myself (Sugar Pie, Honey Bunch) Bryan Ferry (with David Gilmour) 29. Sensation 30. Boys And Girls 31. Slave To Love 32. Jealous Guy PRO-SHOT COLOR NTSC Approx.125min.
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