Aerosmith/MI,USA 1974 Complete Soundboard Edition

AEROSMITH in 1974, who sent out “GET YOUR WINGS” and solidified their support as the flag-bearers of the new generation. Two soundboard albums that imprint such early live performances on the brain have been decided to be released simultaneously. This work is the first part of such a series. It is a stereo soundboard recording of “Detroit performance on April 7, 1974”. Speaking of the dawn of the soundboard, “BOSTON 1973” is familiar, but this work follows it. It is a good opportunity, so let’s first check the positional relationship of each while looking at the overview of the activities after the debut. 1973, January 4: Boston performance (AEROSMITH released on January 5th) ・January 19-May 5: North America #1 (23 performances) ←※BOSTON 1973, June 24/July 28-December 15: North America #2 (50 performances) (December 17: Production of GET YOUR WINGS begins) 1974, January 7: Detroit performance (GET YOUR WINGS completed on January 14th) ・January 26-March 16: North America #3 (11 performances) (GET YOUR WINGS released on March 15th) ・March 24-December 15: North America #4 (108 performances) ←★Here★ A precious soundboard that pairs with KISS’s masterpiece This is the 1973/1974 AEROSMITH. “BOSTON 1973” was released just after the debut album was released, but the Detroit performance of this work was released about a year later, just after the release of “GET YOUR WINGS”. It was the fifth concert of “North America # 4”. Such a show was broadcast on the famous program “WABX” of Detroit’s local station WYCD, and is also famous for leaving a sound board that represents the early days (it was once circulated as “April 14th”). If you are sharp, you may have already got the idea. In fact, this day was a coupling concert with KISS. Yes, it was the same day and place as KISS’s sound board album “DETROIT 1974 1ST NIGHT: PRE-FM REEL”. This work is also the AEROSMITH edition of that famous board. The highest peak renewal sound and a delicious full set This work is the highest peak renewal version of such a classic sound board. It is a famous product that has been digitized from the newly excavated best master brought by overseas researchers. Although it is a type that is raw and raw, it is only the personality of the broadcast. Conventional masters often required mental correction, such as a strong sense of roughness or random pitch due to tape twisting, but this new master does not feel such deterioration at all. Although corrections have been made in order to achieve strict perfection, the entire story was glossy, beautiful, and stable at the original sound stage. Those who are familiar with the previous releases will be surprised that “such a beautiful master was left!” Such a beautiful new master depicts a stage where the famous songs unique to the early days are also delicious. Let’s organize the set while comparing it with the aforementioned “BOSTON 1973” and the simultaneously released “DEFINITIVE MY FATHER’S PLACE 1974: WLIR FM MASTER”. Beast’s Birth (6 songs)・Write Me A Letter/Mama Kin (★)/Dream On/One Way Street (★)/Somebody (★)/Walkin’ The Dog Others (6 songs)・Fly! Aerosmith: Lord Of The Thighs/Woman Of The World/Pandora’s Box (★★)/Same Old Song & Dance/Train Kept A Rollin’・Draw The Line: Milk Cow Blues (★★) *Note: The “★” mark indicates a song that cannot be heard on “DEFINITIVE MY FATHER’S PLACE 1974: WLIR FM MASTER”. In particular, the “★★” mark indicates a song that cannot be heard on “BOSTON 1973”. … and so on. Both “BOSTON 1973” and “DEFINITIVE MY FATHER’S PLACE 1974” were around 50 minutes long, but this work is a whopping 79 minutes long. Of course, it’s not just long, but also very dense, and the pole position “Write Me A Letter” makes you dizzy with the intense early smell. After that, “One Way Street”, “Somebody”, “Woman Of The World”, “Pandora’s Box”, and other repertoires that were only available at that time are played one after another. This work will imprint all of them in your brain with the highest peak update sound. This work itself is an absolute soundboard masterpiece of the early AEROSMITH, but listening to it alongside KISS’s “DETROIT 1974 1ST NIGHT: PRE-FM REEL” will add even more depth. Both works allow you to experience the soundboard of a night when two groups, who were considered rivals in Japan, collided with each other at their youth. Stereo soundboard recording of the “Detroit performance on April 7, 1974”. This is a sister work of KISS’s masterpiece “DETROIT 1974 1ST NIGHT: PRE-FM REEL” on the same day and at the same venue, and the highest peak updated master supervised by overseas researchers has no traditional stiffness or twisting, and the whole work is glossy, beautiful, and stable. It is an absolute board that you can enjoy a full show full of early precious songs such as “One Way Street”, “Somebody”, and “Pandora’s Box”. Michigan Palace, Detroit, MI, USA 7th April 1974 STEREO SBD UPGRADE (78:49) 01. Introduction 02. Write Me A Letter 03. Mama Kin 04. Lord Of The Thighs 05. Woman Of The World 06. Dream On 07. Pandora’s Box 08. Same Old Song And Dance 09. One Way Street 10. Somebody 11. Train Kept A Rollin’ 12. Walkin’ The Dog 13. Milk Cow Blues Steven Tyler – Vocals Joe Perry – Guitar Brad Whitford – Guitar Tom Hamilton – Bass Joey Kramer – Drums STEREO SOUNDBOARD RECORDING