Motley Crue/Germany 1984

The early MOTLEY CRUE edition has appeared in the new excavation master series that is currently shocking heavy metal collectors around the world. What is engraved in this work is “September 2, 1984 Nuremberg performance”. This is a superb audience recording recorded during one act of the “MONSTERS OF ROCK Tour” which evolved from the UK’s largest rock festival to a festival tour. Speaking of “MOR’s Motley”, the recently released “MONSTERS OF ROCK 1984: DONINGTON & KARLSRUHE” is in the midst of receiving great acclaim, but this work is not just a separate recording… it is a completely separate performance. Live album. First, let’s look back at the overview of “MONSTERS OF ROCK Tour” in order to understand the situation.・August 18th: Donington　←※DISC 1 ・August 25th: Stockholm (only 3 groups) ・August 31st: Winterthur (only 3 groups) ・September 1st: Karlsruhe ←※DISC 2・September 2nd: Nuremberg ←★This work★ ・September 5th: Rome (only 2 groups) ・September 7th: Turin (only 2 groups) This was a European tour of 7 performances in total. However, some additional information is required. In fact, the number of bands performing differed depending on the venue. Specifically, Donington (UK) and Karlsruhe/Nuremberg (West Germany) had 7 full-scale groups, while Stockholm (Sweden)/Winterthur (Switzerland) had 3 groups: AC/DC/VAN HALEN/MOTLEY CRUE. only. In Rome/Turin (Italy), there were only two groups, AC/DC & MOTLEY CRUE. Furthermore, although the two Italian performances had the same lineup, it seems that the name “MONSTERS OF ROCK” was not used in the Turin performance. Quiet talk. You will understand that this is a different performance from the popular Nuremberg performance of this work. However, although the two works are completely different, they are not unrelated. In fact, both are treasured collections of the famous recording artist “G. Mann”, who is currently becoming a hot topic all over the world. In fact, the sound of this work is super superb. I understand that there was no response since it was an outdoor venue, but that alone can’t explain it: it’s super tight/violently on/super direct! The microphone was probably pointed directly at the PA tower set up inside the venue. While giving off a vivid sense of the scene, the sound that is being emitted is clearly captured exactly as it is. NIGHT RANGER’s “Touch Of Madness” is played as the closing BGM, but the sound quality is so high that even it makes you laugh. Of course, the awesomeness of this work is so different that even “DONINGTON & KARLSRUHE” is out of the question. I’m sorry if this is just a complete guess, but I think he probably got the hang of it with each performance. The Karlsruhe recording is more direct than the Donington recording, and it blooms all at once with this work. This is a three-stage recording where the recording becomes better with “hop-step-jump”. Speaking of “SHOUT AT THE DEVIL Tour”, it is a definitive sound board like “SAN ANTONIO 1983”, and the harsh live performance itself is intense and unparalleled. As it is the first act of MONSTERS OF ROCK, in which 7 groups perform, the running time is short at just over 40 minutes, but it is packed with famous songs and youthful energy. This work is the best choice for beginners, so let’s repost it. Splendid Passion (2 songs)・Piece Of Your Action/Live Wire Shout at the Devil (7 songs + α)・Side A: Bastard/Shout At The Devil/Looks That Kill/Helter Skelter・Side B: Knock’ Em Dead Kid/Ten Seconds To Love (★)/Red Hot (★) *Note: Songs marked with a “★” were not heard at the “US Festival”. And this work is amazing because both the person hitting this concentrated set and the side being hit are incredibly excited. The main role of this work is the strong and meaty performance, but the enthusiasm of the metal players gathered at the scene is also very real. Since it was the first song, it was more like a casual performance than a big chorus of famous songs, but it was a knockout in the blink of an eye. The new generation of heroes is welcomed with open arms, and the feeling of freedom is amazing, as if you can see the blue sky absorbing their joy. You can literally feel history starting to move forward. The reality and historical spectacle of the late M is an exclusive patent exclusively for audience recording that cannot be experienced even with the finest sound board. It is also a super document album that allows you to enjoy it in transcendent quality. “SHOUT AT THE DEVIL Tour” announced a new generation of LA metal to the whole world and declared a counterattack of American heavy metal. A piece that allows you to experience the ultimate MONSTERS OF ROCK, which can be said to be the highlight. Superb audience recording of “September 2, 1984 Nuremberg Performance”. I understand that there was no response since it was an outdoor venue, but that alone can’t explain it: it’s super tight/violently on/super direct! It gives off a vivid sense of the scene, while also capturing the exact sound being emitted. With a running time of approximately 43 minutes, the album is packed with early songs such as “Bastard,” “Knock ‘Em Dead Kid,” and “Piece Of Your Action,” as well as youthful energy. This is a piece that allows you to experience the ultimate MONSTERS OF ROCK, which will be a highlight of the SHOUT AT THE DEVIL Tour. Stadion am Dutzendteich, Nuremberg, Germany 2nd September 1984 ULTIMATE SOUND　(42:42) 1. In The Beginning 2. Bastard 3. Knock ‘Em Dead Kid 4. Shout At The Devil 5. Ten Seconds To Love 6. Piece Of Your Action 7. Red Hot 8. Looks That Kill 9. Live Wire 10. Helter Skelter