Metallica/IA, USA 1986

There are several other soundboards from the Cliff era. Among them, “May 30, 1986 Davenport Performance”. Yes, it is a soundboard album that contains the show the day after the Eau Claire performance. The timing of “DAMAGE, INC. TOUR” is extremely important. Here, let’s organize the soundboard collection, including a large amount of unearthed official items.・April 21st: East Rutherford performance *Official BOX ・May 12th: El Paso performance ・May 23rd: Tulsa performance *Official livemetallica ・May 25th: Chicago performance *Official BOX *May 26th : Des Moines performance ・May 29th: Eau Claire performance ・May 30th: Davenport performance ・July 6th: Roskilde Festival performance *Official box《July 26th: James injured》 ・July 29th: Chattanooga Performances *Official livemetallica, August 1st: Charleston performance *Official livemetallica, August 3rd: Hampton performance *Official BOX, September 21st: London performance *Official livemetallica, September 24th: Lund performance [September 27th] :Cliff dies》In total, 13 performances. Although “DAMAGE, INC. TOUR” only covers the period when Cliff was alive, it is quite a collection, including old-fashioned standard soundboards, official BOXes, and even those released on the official website livemetallica.com. This work is one of the soundboards that has not been made official. And, this work is a radical sound board that underground excavation is proud of. The squeaking guitar is connected directly to the desk, and the noise emitted by the on-site PA is also very realistic. The explosive and roaring sounds are thrilling, but the power of staying on track without crossing the line is amazing. Moreover, it is extremely clear. The turbidity and distortion are just what the band is playing, and there is no cloudiness. The edges are frighteningly sharp, each riff approaching like a sharp machete, and the waves of attack are like an electric saw with no end in sight. This sound really suits violent METALLICA. The live performance, in which the band performs songs that are far more complex than traditional metal music at breakneck speed, is on the verge of collapse. Coupled with the sound of this work, which is very powerful but barely reaches its limit, it creates an indescribable thrill and the power of the limit. In “Welcome Home (Sanitarium)”, James bursts out and the song breaks off, but then Kirk’s guitar comes in with a creak and screams. This youthfulness. This recklessness. Exactly the sound for recording 80’s METALLICA. Once you know this work, you won’t be able to go back to the neat studio version…It’s an art of noise and brutality. Furthermore, I’m glad that the sets are different. In fact, the opening song “Battery” may be an incomplete version that has not been recorded, but other than that, the entire album is recorded. At the end, they will also perform “The Four Horsemen” and “Motorbreath”, which were not played at the Eau Claire performance the day before. Moreover, the destructive power of these two songs is amazing! In particular, “Motorbreath” is a fast-paced number that represents early METALLICA, but it was only played on this day on “DAMAGE, INC. TOUR”. This is also Cliff Burton’s last “Motorbreath”. This work, which closes with such a radical “Motorbreath”, is a special sound board. A semi-official sound board left for two consecutive days and a radical underground sound board. Including the extremely valuable “Motorbreath”, this is a radical piece that does not take a step back from the Eau Claire performance, which is a hot topic among enthusiasts all over the world. Live at Coliseum Ballroom, Davenport, IA. USA 30th May 1986 STEREO SBD (64:23) 1. Master Of Puppets 2. For Whom The Bell Tolls 3. Welcome Home (Sanitarium) 4. The Thing That Should Not Be 5. ( Anesthesia) Pulling Teeth 6. Damage, Inc. 7. Seek & Destroy 8. Creeping Death 9. Am I Evil? 10. Whiplash 11. The Four Horsemen 12. Motorbreath　 STEREO SOUNDBOARD RECORDING James Hetfield – Guitar, Vocal Lars Ulrich – Drums Cliff Burton – Bass Kirk Hammett – Guitar