Linda Ronstadt/London,UK 1976 Upgrade

In 1976, Linda Ronstadt released “HASTEN DOWN THE WIND” and was running toward great success. The treasure master of the best professional shot is decided to be released. Speaking of “HASTEN DOWN THE WIND TOUR,” “ROCKPALAST”’s super professional shot “WHEN WILL I BE LOVED: OFFENBACH 1976” reigns supreme, but this work is a masterpiece that is on par with that super masterpiece. . The show is also very close, and this is the best multi-camera pro shot of the “London performance on November 13, 1976”, which is three days before the Offenbach performance. The biggest point of this work is its quality. After all, this work was leaked from the prestigious BBC. The time counter for editing work is also a vivid commercial master. Even in commercial leaks, there are times when the master has deteriorated, but this work is different. The image is beautiful, with almost no dubbing marks, and the details are vivid and the colors are vivid. It’s so beautiful that it’s like using the monitor as a window to peer into the space of 43 years ago. And audio. This is also a superb soundboard, and the singing voice of Linda, who just turned 30, is flowed directly from the microphone to the brain, and can be perfectly synchronized with the 1970s Asylum ensemble such as Wadi Wachtel, Andrew Gold, and Kenny Edwards. If there is no counter, it is a super-excellent video that can be used as an official archive as it is. The show drawn with that quality is truly wonderful and can be called “another ROCKPALAST”. Linda, who wears loose clothing typical of the 70’s, is not as cute as the Offenbach performance where her shoulders are exposed, but she exudes pheromones and has the mood of an adult idol star, and her singing voice is both cute and powerful. . Unlike ROCKPALAST, the final stage is not recorded and is about 2/3 of the show, but it still concentrates the golden 70’s repertoire centered on “HEART LIKE A WHEEL” and “HASTEN DOWN THE WIND”. Linda in her prime, beautifully changing cover songs such as Carla Bonoff’s “Lose Again,” Eric Kaz’s “Love Has No Pride,” Ry Cooder’s “The Tattier,” and Neil Young’s “Love Is A Rose.” You can enjoy her singing voice to the fullest along with her beauty. Again, this work is “about 2/3 of the show” in length. For that reason, the pinnacle of 1976 will definitely be “WHEN WILL I BE LOVED: OFFENBACH 1976,” but the visual beauty, sound, and above all, Linda’s singing voice are not inferior to that super masterpiece at all. First of all, I would like you to experience “WHEN WILL I BE LOVED”, but this work is also a treasure of 1976 that is extremely valuable. A BBC treasured multi-camera professional shot that is truly a cultural heritage that should be called the pinnacle of the two. Live at the New Victoria Theatre, London, UK 13th November 1976 PRO-SHOT(from Original Masters) 1. Introduction 2. Lose Again 3. That’ll Be the Day 4. Love Has No Pride 5. Silver Threads and Golden Needles 6 . Willin’ 7. It Doesn’t Matter Anymore 8. When Will I Be Loved 9. Crazy 10. The Tattler 11. Lo Siento Mi Vida 12. Member Introduction 13. Love Is A Rose 14. Hasten Down the Wind 15. Tracks of My Tears PRO-SHOT COLOR NTSC Approx.48min.