Led Zeppelin/MI, USA 7.12.1973 Remaster

Detroit, July 12, 1973. It was an honorable day with a masterpiece among the masterpieces in the second leg of the 1973 American tour, when Robert Plant’s performance was extremely uneven. In fact, fan sites have praised it, saying, “This is the first enjoyable part of the second leg” and “This is one of the greatest Led Zeppelin concerts ever! A killer show.” Although it was such a great performance, it is not well known among non-maniacs, probably because it was not a PA out sound board that existed at this time or an honor student audience recording like Seattle. However, it is premature to conclude that it is a B-grade recording. The sound image was quite lively, and the occasional fricative noise from the microphone, or the movement of the tapered microphone, which caused the localization to fluctuate, may have given a negative impression. Even so, the sound quality is still quite good, and it would be a waste to avoid being distracted by these minor flaws. Rather, if enthusiasts who have never heard the original sound source listen to it, they will be surprised at how easy it is to record it. Although it is such a famous performance in Detroit, a different audience recording was recently discovered. Therefore, the sound source that has been quietly popular among enthusiasts until now is “Recorder 1”, and the current sound source should be called “Recorder 2”. The former was a stereo recording, but this new excavation is also stereo. In a simple comparison, “Recorder 1” has a closer sound image and better sound quality, but “Recorder 2″ is also quite good. However, while “Recorder 1” had a major flaw in the above points, the problem with this sound source is that the level of hiss noise is strong. In that sense, it may be best to avoid listening to both with headphones. That’s why, despite being a tremendous performance, it could not reach the level of a rare sound source of a major ZEP live, and I think it was a day that was loved only by enthusiasts who could listen to the performance. However, in the sense that new sound sources have recently appeared, it can be said that there is something similar to the second day of Destroyer in 1977. Therefore, this time, we will use “recorder 1” as the main for the first three discs, and “recorder 2” as a supplementary member. This completes the best version of “recorder 1”. However, regarding “Recorder 1”, there are two versions on the market with completely different transferred states: the first generation recorded on VHS tape and the 8-track tape master distributed by JEMS. An item coupled with this newly excavated sound source has already been released, but while that one used the VHS version, this one uses the JEMS version, which is superior in purity. It’s true that the VHS version has more power and depth, but because it’s via VHS, you’ll notice low-frequency noise and rumbling bass throughout. As a result, when I got to the quieter parts like the first half of “Stairway To Heaven,” I felt as stressed as if I was listening to ZEP in a boiler room. As a result, when I got to the quieter parts like the first half of “Stairway To Heaven,” I felt as stressed as if I was listening to ZEP in a boiler room. In that respect, the JEMS master sounds like a thin line, but it surpasses the VHS version in terms of natural feel and freshness, and above all, it is easy on the ears. Therefore, we performed mastering that valued the original sound based on the JEMS master. This eliminates the thinness of the lines, which people either liked or disliked, making the already excellent sound quality even easier to hear. We guarantee that the finished product can truly be called the definitive edition. By applying “Recorder 2” there, the biggest drawback of “Recorder 1”, which was the beginning of “R & R” and most of “Moby Dick”, was eliminated. The reason why the same song that Bonzo played for 27 minutes was not recorded on this source is very simple. Taper has resumed recording from the ending, but there he clearly says that he was “bored.” Yeah, you didn’t want to record a drum solo. Come to think of it, as soon as “Moby Dick” started in Seattle 72, a scene was captured in which the taper leaked out, “I’m not good at drum solos,” but it is Americans who record such feelings on tape. On the other hand, “Recorder 2” is a newly discovered sound source, but it is the main feature from the fourth disc onwards. It is true that it is inferior to “Recorder 1” in terms of sound image, but in terms of overall balance it is also quite excellent. As I mentioned earlier, the problem is that it is hissically noisy, and the level is so high that I would like to call it spray noise. If you apply excessive equalization to such a sound source, the presence of hiss will become stronger, making it extremely difficult to hear. Careful mastering has been done to ensure that such stress is not emphasized, making this sound source much easier to listen to while still maintaining its original condition. On top of that, the fact that it doesn’t pick up the voices of the surrounding audience like “Recorder 1” does, or that the sound doesn’t shake, is a big advantage. Best of all, the same voice that Taper sang on his own during the encore song “The Ocean” (not from the second verse like in the original, but from the first verse), there is no unnecessary backing chorus, and you can listen to the performance properly. I’m too happy. If you listen to it without this ghost chorus, is this day’s “The Ocean” the best 73 version? It’s so wonderful that you can think of it. In the first place, it is special that Plant of this year can sing this song so intensely. In addition to that, there is also a rare scene where Bonzo, who seems to be quite high, even acts as MC before starting the count. What’s more, thanks to the range in which “Recorder 2” picks up the bottom, you can even hear the scene where Jonesy takes off the bass, which I think is a compliment. I touched on the performance a little bit, but as I said at the beginning, the performance on this day was outstanding. The opening begins with a heroic feeling that is typical of the second leg of 73 America’s Plant, but surprisingly, he quickly recovers and sings from “Black Dog” so powerfully that it is hard to believe that it is the second leg. From there, the first peak is reached from “Misty Mountain Hop” to “Since I’ve Been Loving You”. Not only is Plant at his best here, but Bonzo’s drumming is also hustling in the former. In the next song, “No Quarter,” the battle between Page and Bonzo becomes even more intense, as the plant is at full throttle. In this song and “The Song Remains The Same”, Plant not only sang with a different melody than usual, but his powerful appearance can be said to be unique among the second leg. Even though I was able to hear a fulfilling performance just up to this point, “Dazed And Confused” exploded with Bonzo and Page’s play reminiscent of 73 Europe. The first scene where Bonzo sets up a trick is particularly thrilling, and the scene around the 7 minute mark where he goes wild and then stops suddenly is so thrilling. In the same year, in 1973, Page expanded to stadiums in the United States and began to focus on stage action to attract the audience rather than technique, but he still performed in Tampa at the beginning of the tour, as well as “CHICAGO 1973 2ND NIGHT”, and It makes me realize that there are still days when the technique was better, such as this time in Detroit. Then, in the final songs “Whole Lotta Love” and “Communication Breakdown”, Bonzo and Page’s rhythmic play escalates to the point where you can almost call it a development of 1973 Europe. Plant, who is in great shape, joins them and “Going Down” begins. I see, this is the reason why it is praised as a “killer show”. As proof of that, when I was writing this crap, I took advantage of my stay at home and listened to two sources in quick succession, and each captured the best performance with a completely different texture, so I never got bored. is. The best performance in the second leg of 73 America is recorded in the best version of each shocking new sound source and conventional sound source. Please take your time to listen and compare. 73 America, we will dedicate the ultimate masterpiece from the second leg to all ZEP enthusiasts. Project details: Two types of AUD sound sources are used to compensate for the gaps, and each reproduces the longest version (3CDs * 2 versions = 6CDs).As there are some parts that cannot be filled in, it is not perfect, but it is the longest recording ever. Sound source arrangement Source 1-1… A stereo AUD source that has been familiar for a long time, the representative one being the 1st Gen via VHS Source 1-2… The original 8Track that appeared several years ago Digital master from Master★Main source for Discs 1-3 of the main disc Source 2…New stereo AUD source that suddenly appeared in 2020★Main source of Discs 4-6 of the main disc Disc1-3…July 12th Rec1 Main, Disc 4-6…July 12th Rec 2 main About source 1 of Disc 1-3 The 1st to 3rd discs mainly use JEMS’s 8track Master Source 1 has already been released (1st Gen via VHS), but this time Master-Digital both have their own unique sounds. The digitized sources from 8track that were mainly used this time (sources 1-2 for organization purposes) had weak low frequencies and gave the impression of thin lines, but the separation and freshness of each instrument was good, and sources 1-1 via VHS It can be said that the sound is clearer than the previous one, with no low frequency noise or roaring noise. This time, the EQ has been significantly adjusted mainly in the midrange and low range, eliminating the poor impression, and the sound that felt loud and harsh due to the peculiarity in the midrange has become very refreshing. The unique unpleasant sound of “ko! (not go)” that was in the original sound source no longer bothers me, and the low range has also come out and the punch has increased. 1stGen (Source 1-1 in sound source organization) via VHS, a branch of Source 1 used in the previous releases, has the disadvantage of raising the bass too much during the distribution process, causing low frequency noise and a roaring sound like the earth’s rumbling from beginning to end. If you compare this edition with the song intervals, it is clear that this edition is overwhelmingly quieter and has better balance due to the EQ processing. Source 1-1 has a strong bass sound and sounds cool, but the performance is buried in the rumbling sound. It is also inferior to separation. About Source 2 of Discs 4-6 Mainly includes new sources that have suddenly appeared in recent years. In addition to recording for the first time the intro to the end of R&R that was missing in Source 1, Moby Dick is also not complete, but it is nearly 30 minutes long and is recorded almost completely, making it the perfect sound source to make up for the omissions in Source 1 ( *However, the communication was completely unpaid), and the sound could be improved depending on the EQ. The original sound source had sections with large hiss noise (between NQ and Rain Song and Heaven), and there were some variations in volume balance and texture, but it has been carefully mastered to unify it. EQ processing has been boldly applied here as well, and the rough sound in the midrange is processed in a well-balanced manner, and there is not much increase in hiss noise due to EQ processing, and the sound is a little sweeter in outline than Source 1. Depending on the location, the sound may be better than source 1 in some locations. Above all, the big advantage is that the spray noise is modest compared to the previous ones. Disc1-3…July 12th Rec1 main Disc4-6…July 12th Rec2 main Disc1-6: Live at Cobo Hall, Detroit, MI, USA 12th July 1973 Recorder 1 Disc 1 (65:03) 01. Introduction Entire Rec2 02. Rock And Roll 0:00-2:57 Rec2 03. Celebration Day 04. Black Dog 05. Over The Hills And Far Away 5:32-5:36 Rec2 06. Misty Mountain Hop 07. Since I’ve Been Loving You 08. No Quarter 4:17-4:20, 8:33-8:40, 9:03-9:07 Rec2 09. The Song Remains The Same 4:06-4:12 Rec2 10 . The Rain Song 5:55-5:58 Rec2 Disc 2 (45:16) 01. MC 02. Dazed And Confused 17:17-17:21, 21:13-21:43 Rec2 03. Stairway To Heaven ★10 :28-10:37 Rec2 Disc 3 (65:38) 01. MC cut between songs Rec2 02. Moby Dick 1:13-27:33 Rec2 *Mostly Rec2 / 16:59 Cut between songs Rec2 03 . Heartbreaker *In the previous release, there was a 1 second missing due to an editing error between the songs before the performance.・This album is recorded without any omissions. 04. Whole Lotta Love 8:09-8:19 Rec2 Cut between songs Crossfade 05. Communication Breakdown 1 :17 cut・No compensation because there is no Rec2 of this song 06. The Ocean Recorder 2 Disc 4 (65:04) 01. Introduction 02. Rock And Roll 03. Celebration Day 04. Black Dog Cut between songs *2 Rec1 05. Over The Hills And Far Away 06. Misty Mountain Hop 07. Since I’ve Been Loving You Uncut recovery of duplicated parts of the original data 08. No Quarter 4:59-5:14 Rec1 09. The Song Remains The Same 10 . The Rain Song After playing Rec1 Disc 5 (45:17) 01. MC 02. Dazed And Confused After playing Rec1 03. Stairway To Heaven 3:45-3:49, 4:03-4: 09, 10:53-11:35 (after performance) Rec1 Disc 6 (65:35) 01. MC 02. Moby Dick 16:59 Cut during song 29:38 Cut between songs 03. Heartbreaker There is about a second missing between songs due to an editing error.This album includes all of the songs. 04. Whole Lotta Love 05. Communication Breakdown Entire Rec1 (No Rec2 sound source), 1:17 song cut 06. The Ocean