Description
A 6-disc title containing the legendary May 17, 1975, first day of the Earl’s Court Arena performance is now available! There are currently three types of Aud sound sources for this first day performance, but this edition mainly uses the two types of sound sources with the best sound quality, and is the first pseudo-complete recording including between songs, 3CD x 2 versions, total 6CD set! Furthermore, Earl’s Court Arena released from the analog era, the sound source known as “Kashmir” from the LP “Custard Pie” (RSR) (source 1 for convenience) was converted from tape to CD for the first time (several songs are included as a bonus). This is the super definitive title for the first day’s performance. This is the first title that has been compiled specifically for the first day. In addition, Source 1 sound source is used in several places between songs, achieving the first pseudo-complete recording with no gaps between songs! ! Let’s take a quick look at the flow of items recorded in this performance. First, there is an LP called “Custard Pie” (RSR) recorded in the mid-’80s (probably) during the analog record era, which recorded the Offenbach performance in 1973. Only one song, “Kashmir” is included, and this is the first time the sound source of this performance has been released. This is source 1 for convenience. Fans may know that the ’90s Cobra CD “Custard Pie” also included this analog LP version. Also, although the context is unknown, there seems to be an acetate edition called “WELCOME TO HOME” consisting of four separate discs, and the songs that were recorded on it were the nostalgic Antrabata disc released around 1995 and the old This is the sound source that was made into CD for the first time in each title of Tara edition, and this is source 2 for organization purposes. Even though the acetate version had been released, there would be no problem if the anthra version and the old cod version were recognized as the first item to be recorded with all the songs. Then, in the early 2000s, the TDOLZ-derived Power Chord label released the title “Devils Banquet,” which mainly contained the third sound source. Around 2002, EVSD released titles that mainly used the same third sound source, and in recent years, EVSD has also released titles that mainly use source 2, and so on. . In the 2000s, it cannot be said that the amount of releases is large compared to the 24th and 25th, which became a hot topic with high-quality sound board sound sources and professional shot videos, or the 18th performance with multiple high-quality sound sources (*Of course, if there are many) (It’s not that good either), but the first day, the 17th, may be the reason why it doesn’t get much exposure. Therefore, this edition may be said to be an item that features the 17th performance for the first time, although it is modest. This time, we will focus on the best sound sources of Source 2 and Source 3, and also add the first appearance tape sound source of Source 1, making it possible to achieve the first non-stop complete recording of both versions, including between songs (previously released editions include all titles) (There was something missing between the songs.) CDs 1-3 consist of edited versions centered on source 2, CDs 4-6 consist of edited versions centered on source 3, and each includes the parts that are missing from the main source. By complementing each other and supplementing the missing parts with source 1, both versions have been completely recorded for the first time, including the parts between songs. With thorough editing and mastering typical of this familiar label, we also thoroughly follow up on missing parts that were overlooked in previous releases. It can be said that this is the first time that a title has been carefully edited while making the sound source clear. Regarding the recording master, all recordings are from natural masters that are not online. Source 1 has never been recorded from a tape source on CD in the past, and the analog version was only included on the Cobra version, so it was almost forgotten, but now it has appeared for the first time ( It’s not even on the internet). In terms of sound quality, the sound is similar, but it has a slightly harsh texture and has a peculiar sound that can’t be called stereo or mono.To be honest, it is not as good as Source 2 and Source 3, so this time I will use it as a substitute for 3rd place. Although it is a staff member, several bonus songs are also included on the 6th CD. “Kashmir”, which was also included on the Cobra edition, is also included in its entirety. Although it is the third sound source this time, it can be confirmed that the sound quality is still sufficiently higher than the Cobra version (the recording is long before and after the performance). In addition, the additional “Tangerine” and “Going To California” are of course notable versions that appear for the first time in Source 1, so they are definitely must-haves. This time, the main source 2 for CDs 1-3 is also recorded from Natural Master, not from the internet. Although it is a little far from the stage and has a small sound, there is little change in the sound quality throughout, and the sound is calm from beginning to end.The performance part is originally uncut, and the freshness of the sound is very good. Source 2. The only sound source for this day is the “Crocco” version, which has recently become popular on the Internet, but in that version, the cheering part before the start of the live performance is much shorter than the previous version (about 2 seconds into the playback, the MC suddenly starts singing). The MC starts (this version has applause for about 10 seconds), and there is a fatal omission in the ending of “Rain Song”, which is not good for him, but this version has such problems. None at all. Also, when the representative already-released anthra edition and old cod edition appeared, source 3 had not yet appeared, and supplementary editing with another sound source was not yet common. Therefore, even at this point in time, there are actually very few titles that compensate for the missing parts with items that are mainly source 2 (this is only the second title on this edition!), and there were some gaps between songs in the previous releases, but this edition For the first time, complete recording was achieved by using Source 1 between songs after playing “Bron-Y-Aur Stomp.” It can be said that this album, which makes full use of the three existing sound sources, has definitely emerged as the definitive album. Source 3, which is the main source of CD4-6, is not available on the internet (although it seems persistent, it is not originally available on the internet), but is recorded from Natural Master. Since the sound source is not easy to obtain, there are very few related records, and as mentioned above, the only related records are the Power Chord edition and the EVSD 2002 box (in addition, there seems to be a deteriorated copy of Power Chord) However, that is excluded). In this source 3, the same Aud noise as source 2 can be heard, indicating that the sound source was captured at a fairly close position. The sound image is slightly larger (= closer to the stage) than Source 2, and it also has bass and a solid sound. In addition, the clarity is equal to or more vivid than Source 2, so overall it is considered to be better than Source 2. However, the texture is originally a little distorted, and there are some distortions in some places. Also, compared to Source 2, it has more cuts (Bron-Y-Aur Stomp has not received the entire Src3). Regarding distortion, it is the same in previous releases, and there were also titles that had distortion removed, but it seems that the vividness was slightly lacking due to the adverse effects of removal. In this edition, the original clearness, rawness, and freshness are maintained as is by pinpoint removal. Also, in the previously released edition, the second half of “Kashmir” had an unnatural, pseudo-stereo-like sound (some editions had cuts in the song due to splicing), but this edition has no such problem. The point is that it is a stable master from beginning to end. Compensation was carefully done using source 2, and by using source 1 in the inter-song part after the performance of “Bron-Y-Aur Stomp”, which was insufficient even in source 2, like Disc 2, complete recording was also achieved. Masu. As mentioned above, the final part of the 6th album includes a few bonus tracks. Excerpts from Source 1 include “Kashmir,” “Tangerine,” and “Going To California.” This time I recorded an excerpt because it has a peculiar texture like a bathroom echo, but it is definitely a valuable sound source, and the performance is very close, and I can say that it is a sound source that is comparable to Source 3 in terms of closeness of sound. Sho. The first day of the 17th May 17th performance from the 5 days of the legendary Earl’s Court performance in 1975 is now available as a 6-disc set! A complete edition featuring 2 types of AUD sound sources as the main features *2 versions included! The first ever coupling title! Source 1, which was included on the vintage analog version, is now available on CD for the first time from a tape source (bonus included)! Source 1…Kashmir from Custard Pie LP *This time only a few songs are recorded from tape as a bonus for the first time in history Source 2…Mono Aud, familiar from old Tara and Antora *This time 1-3 main recordings (not online) Source 3・・・Devils Banquet, Mono Aud familiar from EV2002 box *This time 4th to 6th main recording (not on the internet. It did not originate from the internet in the first place) Live at Earls Court Arena, London, UK 17th May 1975 Source 2 Main Version Disc 1 (79:34) 01. Introduction 02. Rock And Roll 03. Sick Again 04. Over The Hills And Far Away 05. In My Time Of Dying (cut between songs) 06. The Song Remains The Same 07. The Rain Song 08. Kashmir (cut between songs) 09. No Quarter Disc 2 (58:42) 01. MC 02. Tangerine 03. Going To California 04. That’s The Way 05. Bron-Y-Aur Stomp (cut between songs ) 06. Trampled Underfoot 07. Moby Dick Disc 3 (59:43) 01. MC 02. Dazed And Confused (inter-song cuts) 03. Stairway To Heaven ★No cuts between songs★Already released anthras have inter-song cuts 04. Whole Lotta Love 05. Black Dog Source 3 Main Version Disc 4 (79:44) 01. Introduction 02. Rock And Roll 03. Sick Again 04. Over The Hills And Far Away 05. In My Time Of Dying (cut between songs) 06. The Song Remains The Same 07. The Rain Song (cut between songs) 08. Kashmir 09. No Quarter Disc 5 (58:44) 01. MC (cut between songs) 02. Tangerine ★Source 3 cut in, but yes (Cut between songs) 03. Going To California ★Source 3 included (Cut between songs) 04. That’s The Way 05. Bron-Y-Aur Stomp ★Source 2 (Source 3 originally missing) 06. Trampled Underfoot (Cut between songs) 07. Moby Dick Disc 6 (79:21) 01. MC 02. Dazed And Confused (cut between songs) 03. Stairway To Heaven (cut between songs) 04. Whole Lotta Love 05. Black Dog Bonus Trax: “Custard Pie” LP Source First Time on CD from Tape Source *Recorded from the tape source that first appeared in history 06. MC 07. Kashmir ★The front and back are longer than the Cobra version 08. Tangerine ★Src1 recording is the first in history 09. Going To California ★Src1 recording is the first in history First Disc 7 WELCOME TO HOME: Source 1 Unreleased Trax Source 1 is the cashmere sound source recorded on the analog LP “Custard Pie” (RSR LP). Three bonus songs from this source 1 were recorded on the press edition itself, but in addition, only a few songs excerpts from the completely unreleased tape are included as a bonus CD. There are some tracks that have cuts, but they are in non-edited condition.It has a harsh sound, but it is listenable enough. 01. Introduction 02. Rock And Roll (cut) 03. Sick Again (cut) 04. Over The Hills And Far Away 05. In My Time Of Dying 06. The Song Remains The Same 07. The Rain Song 08. That’s The Way
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