Kiss/SC,USA 2013 & more

A super-multi-camera shot is set to be released! This video is an incredibly powerful piece of footage! I got so excited that I started putting on a bunch of “!”s, but it doesn’t really convey the feeling of being amazing. Let’s cool our heads a bit and start with a standard spec introduction. This work contains the “Simpsonville performance on August 13, 2013.” It is a scene from the “MONSTER WORLD TOUR 2012-2013.” The Japan performance was also a memorable part of this tour, so let’s check the position of this work from the entire tour.・November 2012: South America (6 performances) ・February-March 2013: Australia (8 performances) ・June 2013: Europe (12 performances) ・July-August 2013: North America #1 (26 performances) ←★Here★ ・October 2013: Japan (4 performances) ・November 8, 2013: North America #2 (1 performance) A total of 56 performances. The Simpsonville performance of this work is the 24th performance at the end of “North America #1” (the third performance from the end). In other words, it is a concert just before the Japanese performance. This work is an audience shot that revives the memories of that Japanese performance, but this is not just a shot of the audience seats. It was produced by a core maniac overseas, and it is a multi-camera work assembled from various cameras and sounds. Recently, there are more and more amateur multi-camera works, but there are not many masterpieces like this. What is amazing is the quality. Usually, amateur multi-cameras use sub-angles to vary the best main angle. However, in this work, it is not clear which is the main and which is the sub. Right side, left side, close view, distant view, super long distance, various images are used, all of which are of the highest quality. It is almost professional shot class. Indeed, in modern times, anyone can easily shoot digitally, but all of the countless angles are professional grade… Moreover, all of them are super stable shots, and there is no need to worry about the shadows in the front row. Of course, only the good scenes from each angle are selected, but that alone does not explain it. Perhaps the blurred images are trimmed to fix them in the center. And the cut editing is also excellent. Not only does it capture the highlights, but it also knows the songs well and changes the angles minutely and minutely. For example, in “Hell Or Hallelujah”, Gene zooms in and shouts “Stay down!”, then switches to Paul and sings “You got what you should!”. What’s more, the trick is not to repeat such ideas over and over again, but to use screenshots, Tommy Sayer, or even just let it flow smoothly, making the drawers extraordinarily diverse. With such a detailed finish, the abundance of ideas for cutting and switching…maybe it was made by a professional video producer as a hobby. Of course, there is no flaw in the audio. As with the countless angles, the high-quality audience recordings that seem to have been carefully selected are synchronized with each other, and the perfection is such that no water leaks. It’s just like a “pro shot assembled from audience materials.” The other day, in the commentary on AEROSMITH’s masterpiece “ATLANTA 2014,” I wrote that “In a few years, another show, another band may produce a work of the same quality as this one,” but I never expected the KISS edition to come out the following week. “Audience pro shots” created by technological innovation and the eternal love of maniacs in any era. I’m glad to be alive in an era when such works appear. I’m glad I’ve always loved rock and KISS…this masterpiece will make you feel that way. Charter Amphitheater at Heritage Park, Simpsonville, SC. ​​USA 13th August 2013 AMAZING SHOT(MULTI-CAM)!!!! Disc 1(60:23) 1. Intro/Psycho Circus 2. Shout It Out Loud 3. Let Me Go Rock ‘n’ Roll 4. I Love It Loud 5. Hell Or Hallelujah 6. War Machine 7. Heaven’s On Fire 8. Calling Dr. Love 9. Say Yeah 10. Shock Me 11. Outta This World 12. Spacecat Jam Disc 2(55:28) 1. God Of Thunder 2. Lick It Up 3. Love Gun 4. Black Diamond 5. Detroit Rock City 6. I Was Made For Lovin’ You 7. Rock And Roll All Nite Bonus Track 8. Pre-show scenes and Clips from VIP acoustic set COLOUR NTSC Approx.116min.