Guns N’ Roses Guns N’ Roses/Argentina 12.5.1992

The classic superb stereo soundboard album has been revived with the ultimate quality! This work contains the “Buenos Aires performance on December 5, 1992”. This live performance was broadcast and has produced many existing releases. Just to name a few, there are “NIGHT OF THE LIVING DEAD HEAD”, “DYNAMISM IN ARGENTINA”, “20 LTD”, “ARGENTINE HATERS”, “WELCOME TO THE RUMOUR JUNGLE”, “RAISING FKN’ CREW”, “SMOKIN’ GUNS”, etc. If you are reading this nonsense, you probably have at least one of them. This work is one that reigns at the top of such a super-famous sound source. The true identity of this work is the master that was recently released by a core maniac overseas. This maniac is not just a person. In recent years, he has been releasing a series of super-superb masters, and his quality that is out of this league is a hot topic among maniacs around the world. It is one of the collections that boasts its abnormal and unusual quality. The quality of this work speaks for its awesomeness. After all, it is obvious that it is a transcendental sound source that has been a staple for many years, but the sound shines even more. Apparently, this maniac also does the mastering, and the sound board tone of the straight ball is drawn more lustrous and clearer. The sound is so beautiful and robust that it is even hesitant to call it “official class”. The show depicted with such a sound is the true value of GUNS N’ ROSES, which had ravaged the whole world. This show is the second half of the “USE YOUR ILLUSION TOUR” that lasted for two and a half years. Let’s imagine the whole tour here.・January 1991: South America #1 (2 shows) ・May-August 1991: North America #1 + Europe #1 (48 shows) 《September 1991: Release of “USE YOUR ILLUSION I & II”》《November 1991: Izzy Stradlin leaves the band》 ・December 1991-February 1992: North America #2 (23 shows) ・February 1992: Japan #1 (3 shows) ・April 1992: North America #3 (4 shows) ・April-October 1992: Europe #2 + North America #4 (47 shows)・November-December 1992: South America #2 (9 performances) ←★Here★・January 1993: Japan #2 (3 performances)・January-April 1993: Oceania + North America #5 (32 performances)・May-July 1993: Europe #3 + South America #3 (27 performances)《November 1993 “THE SPAGHETTI INCIDENT?” released》In this way, the Buenos Aires performance of this work is the 5th performance of “South America #2” which was just before the Japanese performance. Although it was a super-long tour, there was about a month and a half off before “South America #2”, and after taking a sufficient rest, the condition was improved again. It is a delicious show filled with full power driving that has just regained the ensemble that was familiar on the tour up to that point. All the songs will directly screw your brain with their monster-like nature, but even with all the great performances, GUNS N’ ROSES’s performances are full of great performances. In “Nightrain” and “You Could Be Mine”, the enthusiastic South American audience throws things onto the stage. Of course, it is Axel who does not keep quiet about this, stopping the performance and venting his anger through an interpreter. In “Nightrain” in the middle of the show, after complaining for about a minute and a half, “If you do it again, I’m going home!”, he regains his composure and continues playing. This “Redo Nightrain” is the best. The tension is clearly different from before the interruption, and the sound of him screaming in anger jumps into your brain through the direct sound board. This is the end of the show, but what’s even more interesting is “You Could Be Mine” after the drum solo. Axel gets angry at the South American audience who messed up again and preaches again. Even though they did “You Could Be Mine” again, the South Americans still didn’t calm down, and the accelerator broke and they left the stage after singing. After the singer was gone, the stage was connected with Slash’s guitar solo and blues jam, and the atmosphere of “Is it going to end like this again?” drifted from the performance. You can enjoy such an atmosphere of tension and resignation with the best stereo sound board. The performance, the singing, and the trouble. GUNS N’ ROSES in 1992, where everything was “monster”. It is a super-super-super-superb product that makes its true essence live in your brain with the ultimate quality beyond the peak. They were thoroughly cool, ultimately big, and strangely thrilling. Live at River Plate Stadium, Buenos Aires, Argentina 5th December 1992 STEREO SBD(REMASTER) Disc 1 (64:26) 1. Intro. 2. Welcome to The Jungle 3. Mr. Brownstone 4. Live And Let Die 5. Attitude 6. Blues Jam #1 7. Yesterdays 8. Axl Speech 9. Double Talkin’ Jive 10. Civil War 11. Wild Horses (Intro) 12. Patience 13. Nightrain #1 14. Break #1 15. Nightrain #2 Disc 2 (71:18) 1. MC Intro. 2. It’s Alright (Intro) 3. November Rain 4. Band Introductions 5. Drum Solo 6. You Could Be Mine #1 7. Break #2 8. You Could Be Mine #2 9. Blues Jam #2 10. Speak Softly Love (Love Theme From The Godfather) 11. Sweet Child O’ Mine 12. Only Women Bleed (Intro) 13. Knockin’ On Heaven’s Door 14. Don’t Cry 15. Mother (Intro) 16. Paradise City 17. Outro W. Axl Rose – Vocal Slash – Guitars Gilby Clarke – Guitars Duff McKagan – Bass Matt Sorum – Drums Dizzy Reed – Keyboards STEREO SOUNDBOARD RECORDING